Buch, Englisch, 277 Seiten, Paperback, Format (B × H): 151 mm x 225 mm, Gewicht: 600 g
Meaningful Bodies in Jamaican Dancehall Culture
Buch, Englisch, 277 Seiten, Paperback, Format (B × H): 151 mm x 225 mm, Gewicht: 600 g
ISBN: 978-976-640-851-0
Verlag: University of the West Indies Press
Jamaican deejay
Yellowman divided a country with his bawdy songs and his very body: he has been
wildly popular among dancehall fans, yet widely despised by polite society. Even
though his contribution to Jamaican musical culture is immense, scholars have
ignored him and reggae histories have largely misunderstood him.
King Yellowman: Meaningful
Bodies in Jamaican Dancehall Culture is the first serious study of one Jamaica's most significant artists
and dancehall’s first major international star. It is a critical biography designed
to satisfy fans while furthering academic discourse on dancehall by offering a
new perspective on the way Yellowman negotiates the slackness/culture binary in
Jamaican music.
Based on years of ethnographic
fieldwork, Brent Hagerman begins with the compelling story of Winston Foster’s
early life as an abandoned ghetto outcast and his hard-fought journey to become
the King of Dancehall, then goes on to a critical exploration of the
marginalization of people with albinism in Jamaica and the use of slackness in
Caribbean music. Through slackness and his mobilization of Rastafarian symbols,
Yellowman subverts embedded Jamaican cultural notions of sexuality, gender, and
race to overcome his cultural displacement, promote his yellow body as sexually
appealing and forge a place for himself among the Jamaican body politic.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Prefaceix Acknowledgements xiii Introduction1
Part 1. The Life and Times of Yellowman1Abandoned: The Early Life of Winston “Yellowman” Foster, 1957–1971192From Alpha to Eventide: The Teenage Years, 1971–197630
3Ranking Dundus: Breaking into the Music Business, 1977–1978464Mad over Me: Tastee Talent Competition to Aces International, 1979–1981745Ram Jam Master, 1981946Jamaica Proud of Me, 19821277King Yellowman, 1983–19841508Can’t Hide from Jah: Encounters with Religion1789Sufferation, That’s All I Know: Cancer, 198519210Message to the World: Prayer and More Slackness200
Part 2. Meaningful Bodies in Jamaican Dancehall Culture11Yellowman, Race, Sex and Masculinity22512Yellowman in Reggae Histories and Scholarship24813Yellowman, Slackness and Social Critique28614Yellowman as Moral Regulator29615Yellowman, Sex and Religion313
Conclusion335
Appendix 1: “Galong Galong Galong”339Appendix 2: Selected Album Covers341Notes347References357Index369
