ANTITHETICAL ARTS C

Erscheinungsjahr 2009
ISBN: 978-0-19-956280-0
Verlag: ACADEMIC

Buch, Englisch, 288 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 497 g

Antithetical Arts constitutes a defence of musical formalism against those who would put literary interpretations on the absolute music canon. In Part I, the historical origins of both the literary interpretation of absolute music and musical formalism are laid out. In Part II, specific attempts to put literary interpretations on various works of the absolute music canon are examined and criticized. Finally, in Part III, the question is raised as to what the human significance of absolute music is, if it does not lie in its representational or narrative content. The answer is that, as yet, philosophy has no answer, and that the question should be considered an important one for philosophers of art to consider, and to try to answer without appeal to representational or narrative content.

Autoren/Hrsg.

Kivy

Kivy, Peter

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

- Preface

- PART I: THE FOUNDING OF FORMALISM

- 1: First the Music, and then the Words

- 2: Designs à la Grecque

- 3: Body and Soul

- PART II: THE FORTUNES OF FORMALISM

- 4: Mood and Music

- 5: Persona Non Grata

- 6: Action and Agency

- 7: Shostakovich's Secret?

- PART III: THE FATE OF FORMALISM

- 8: The Failure of Formalism and the Failure of its Foes

- 9: Attention, Ritual, and the Additive Strategy

- 10: Musical Morality

- 11: Empty Pleasure to the Ear

- BIBLIOGRAPHY

Über Autor(innen)

Peter Kivy is Professor of Philosophy at Rutgers University, New Jersey. His field of specialization is aesthetics and the philosophy of art.