Knight / Senie A Companion to Public Art

1. Auflage 2016
ISBN: 978-1-118-47534-8
Verlag: John Wiley & Sons
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 512 Seiten, E-Book

Reihe: Blackwell Companions to Art History

A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale.
* Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves
* Includes 19 essays in four sections: tradition, site, audience, and critical frameworks
* Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media
* Contains "artist's philosophy" essays, which address larger questions about an artist's body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.

Autoren/Hrsg.

Knight, Cher Krause

Senie, Harriet F.

Inhaltsverzeichnis

Acknowledgements
Notes on Contributors
A Companion to Public Art: Introduction
Cher Krause Knight and Harriet F. Senie
I. Traditions
Traditions: Introduction
Cher Krause Knight and Harriet F. Senie
Artists' Philosophies
Memory Works
Julian Bonder
Public Art?
Antony Gormley
Natural Phenomena as Public Monuments
Alan Sonfist
Chapter 1: Memorializing the Holocaust
James E. Young
Chapter 2: Chilean Memorials to the Disappeared: Symbolic Reparations and Strategies of Resistance
Marisa Lerer
Chapter 3: Modern Mural Painting in the United States: Shaping Spaces/Shaping Publics
Sally Webster and Sylvia Rohr
Chapter 4: Locating History in Concrete and Bronze: Civic Monuments in Bamako, Mali
Mary Jo Arnoldi
Chapter 5: The Conflation of Heroes and Victims: A New Memorial Paradigm
Harriet F. Senie
II. Site
Site: Introduction
Cher Krause Knight and Harriet F. Senie
Artists' Philosophies
Give That Site Some Privacy
eteam (Hajoe Moderegger and Franziska Lamprecht)
The Grandiose Artistic Vision of Caleb Neelon
Caleb Neelon
Chapter 6: Sculptural Showdowns: (Re)Siting and (Mis)Remembering in Chicago
Eli Robb
Chapter 7: In the Streets Where We Live
Kate MacNeill
Chapter 8: Powerlands: Land Art as Retribution and Reclamation
Erika Suderburg
Chapter 9: Waterworks: Politics, Public Art and the University Campus
Grant Kester
Chapter 10: Augmented Realities: Digital Art in the Public Sphere
Christiane Paul
III. Audience
Audience: Introduction
Cher Krause Knight and Harriet F. Senie
Artists' Philosophies
Practical Strategies: Framing Narratives for Public Pedagogies
Suzanne Lacy
Public Art in a Post-Public World: Complicity with Dark Matter
Gregory Sholette
Chapter 11: Audiences Are People, Too: Social Art Practice as Lived Experience
Mary Jane Jacob
Chapter 12: Contextualizing the Public in Social Practice Projects
Jennifer McGregor and Renee Piechocki
Chapter 13: Art Administrators and Audiences
Charlotte Cohen and Wendy Feuer
Chapter 14: Poll the Jury: The Role of the Panelist in Public Art
Mary M. Tinti
Chapter 15: Participatory Public Art Evaluation: Approaches to Researching Audience Response
Katherine Gressel
IV. Frames
Frames: Introduction
Cher Krause Knight and Harriet F. Senie
Artists' Philosophies
The Virtual Sphere Frame: Toward a New Ontology and Epistemology
John Craig Freeman
The Elusive Frame: "Funny," "Violent" and "Sexy"
Tatzu Nishi
(Interview Conducted by Chieko Kinoshita)
Chapter 16: The Time Frame: Encounters with Ephemeral Public Art
Patricia C. Phillips
Chapter 17: The Memory Frame: Set in Stone, a Dialogue
Amanda Douberley and Paul Druecke
Chapter 18: The Patronage Frame: New York City's Mayors and the Support of Public Art
Michele H. Bogart
Chapter 19: The Process Frame: Vandalism, Removal, Re-Siting, Destruction
Erika Doss
Chapter 20: The Marketing Frame: Online Corporate Communities and Artistic Intervention
Jonathan Wallis
Chapter 21: The Mass Media Frame: Pranking, Soap Operas and Public Art
Cher Krause Knight
Epilogue
Cameron Cartiere
Index