Scheduling and Budgeting Your Film

A Panic-Free Guide
2. Auflage 2017
ISBN: 978-1-138-21063-9
Verlag: Taylor & Francis Ltd (Sales)

Buch, Englisch, 340 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 626 g

Reihe: American Film Market Presents

Budgeting and scheduling are easy in principle but hard in practice. The successful producer has a solid plan for juggling dozens of activities and costs while retaining the flexibility to cope with those inevitable last-minute changes and stay on course. Preplanning the budget and schedule of any media project is absolutely essential, and the 2nd edition of Scheduling and Budgeting Your Film: A Panic-Free Guide shows you the intricacies of handling both budgeting and scheduling successfully.

This new and updated edition explains the fundamentals of line producing in an easy-to-understand style, and includes tips and techniques that apply no matter what kind of scheduling or budgeting software you’re using. Author Paula Landry includes detailed examples of breakdown forms, organizing resources, distribution expenses, and hidden costs, and discusses how to set realistic priorities and find industry and state tax incentives. The new edition also includes discussions of transmedia and multi-purpose shooting, special considerations for VR, 4K and 3D shooting, new web platforms and mobile technology, crowd funding, film festivals, and much more.

- Each chapter is filled with handy checklists, tips, practical advice, and anecdotes, showing how scheduling and budgeting are done in the real world;

- Principles apply to any type of media project: film, video, music video, projects hosted online, and corporate and educational videos;

- An accompanying eResources page offers downloadable forms and templates, and other essential resources.

Autoren/Hrsg.

Landry, Paula

Fachgebiete

• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Fernsehproduktion
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik

Inhaltsverzeichnis

Chapter One – Schedule & Budget Basics

What is Production Management

The Schedule and Budget Relationship

Why Schedule and Budget are the Foundation

Who Manages the Schedule & Budget

A Little History

Helpful Tools and Software

A Manual & Computer Approach

Trends to Consider

Basic Steps

Scheduling

Budgeting

The End Uses of Budget and Schedule

End of Chapter One Review

Chapter Two – Identifying Resources: the Breakdown

Relationship of Script and Breakdown

Script Format

Screenplay Software & Online Collaboration Tools

The Process of Breaking Down a Script

Read Script Completely

Your System: Software, Colors, Numbers

Number Scenes

Eighths of a Page

Identify Resources

Breakdown Forms

Transfer Information to Breakdown Forms

End of Chapter Two Review

Chapter Three – Organizing Resources: The Schedule

Creating A Schedule

Workflow & Consistency

Transfer & Verify Breakdown Information Into Schedule

Grouping Like Things

Sets

Cast

The Most Finite Resource

Arrange Schedule For Maximum Efficiency

One-Liner Schedule

Day Out Of Days

Factors Impacting The Schedule

Length of Script and Genre

Film Or Digital Format

Shooting Ratio & Experience

Unions & Guilds

Locations

Length Of Shooting Week / Day

Sample Schedules
End Of Chapter Three Review

Chapter Four – Pricing Resources: the Budget

Budget Components

Construction

Presentation

Calculation

Account Numbers

Backing into a Number

Price resources

Factors Impacting the Budget

Type of Project and End Uses

Locations & Incentives

Wages, Union & Guilds

Project Length & Format

Financing and Crowd Funding

Building a Budget

Setup

Above the Line: Creative & Development Costs

Below the Line: Production

Below the Line: Post

Below the Line: Other Expenses

Sample Budgets

Blank Budget Forms

End of Chapter Four Review

Chapter Five – Helpful Scheduling & Budgeting Tips

Evolution of the Schedule & Budget

The Team: A.D., Director, Producer, Location Manager

Prices, Rates and Deal Making

Changes During Shooting

Publicity, Marketing & Film Festivals

Safety, Legal & Insurance

Distribution Expenses

Hidden Expenses

End of Chapter Five Review

Chapter Six – Managing Resources

Relationship between Script, Schedule & Budget

Production Accountant, A.D. and Line Producer

Optimize The Shoot

No Unnecessary Movement

Consider the Weather

(between shooting, or down time) Days Off and Turnaround, Rest Time, Meal Times

Using a Second Unit

Other Factors,

End of Chapter Six Review

Chapter Seven – Special Considerations

Narrative Feature Film

Documentary Film

Shorts, Web Video & Webisodes

Television

Educational & Corporate Film

Working Without a Script

End of Chapter Seven Review

Chapter Eight – Additional Topics You Are Bound to Encounter

Scheduling

Questions about Eighths

Script Inconsistency & New Versions

Honing Your Scheduling Skills

The Experience of your Team

Budgeting

Checking Your Numbers

Obscure Budgetary Categories and Terminology

Currency Conversion

Honing Your Budgetary Skills

In Conclusion

End of Chapter Eight Review

Über Autor(innen)

Paula Landry is a producer, film business and media-marketing consultant, crafting business and marketing plans, videos and branded content for Fortune 500 companies, non-profit companies and colleges. Landry is president of IdeaBlizzard Productions, and is the co-author of This Business of Film: A Practical Guide to Achieving Success in the Film Industry. An active member of NYWIFT, IFP, and AFM, Landry speaks at seminars around the world about the businesses of film, music, and media.