Landy British Genres

Cinema and Society, 1930-1960
Course Book
ISBN: 978-1-4008-6218-4
Verlag: De Gruyter
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, 592 Seiten

Reihe: Princeton Legacy Library

In this unprecedented survey of British cinema from the 1930s to the New Wave of the 1960s, Marcia Landy explores how cinematic representation and social history converge. Landy focuses on the genre film, a product of British mass culture often dismissed by critics as "unrealistic," showing that in England such cinema subtly dramatized unresolved cultural conflicts and was, in fact, more popular than critics have claimed. Her discussion covers hundreds of works--including historical films, films of empire, war films, melodrama, comedy, science-fiction, horror, and social problem films--and reveals their relation to changing attitudes toward class, race, national identity, sexuality, and gender. Landy begins by describing the status and value of genre theory, then provides a history of British film production that illuminates the politics and personalities connected with the major studios. In vivid accounts of the films within each genre, she analyzes styles, codes, and conventions to show how the films negotiate history, fantasy, and lived experience. Throughout Landy creates a dynamic sense of genre and of how the genres shape, not merely reflect, cultural conflicts.

Originally published in 1991.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Autoren/Hrsg.

Landy, Marcia

Fachgebiete

• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst

Inhaltsverzeichnis

FrontMatter, pg. i
Contents, pg. vii
Illustrations, pg. ix
Acknowledgments, pg. xi
Author’s Note, pg. xiii
Introduction, pg. 1
CHAPTER ONE. British Cinema History, pg. 23
CHAPTER TWO. The Historical Film, pg. 53
CHAPTER THREE. Empire, War, and Espionage Films, pg. 97
CHAPTER FOUR. The War Film in War and Peace, pg. 140
CHAPTER FIVE. The Woman's Film, pg. 189
CHAPTER SIX. Tragic Melodramas, pg. 237
CHAPTER SEVEN. Family Melodramas, pg. 285
CHAPTER EIGHT. Film Comedies, pg. 329
CHAPTER NINE. Horror and Science Fiction, pg. 388
CHAPTER TEN. The Social Problem Film, pg. 432
Epilogue, pg. 483
Notes, pg. 487
Filmography, pg. 503
Bibliography, pg. 521
Index, pg. 535