Spectral Music Design P

Erscheinungsjahr 2021
ISBN: 978-0-19-752402-2
Verlag: Oxford University Press

Buch, Englisch, 512 Seiten, Format (B × H): 215 mm x 275 mm, Gewicht: 1154 g

Processing audio in the spectral domain has become a practical proposition for a variety of applications in computer music, composition, and sound design, making it an area of significant interest for musicians, programmers, sound designers, and researchers. While spectral processing has been explored already from a variety of perspectives, previous approaches tended to be piecemeal: some dealt with signal processing details, others with a high-level music technology
discussion of techniques, some more compositionally focused, and others at music/audio programming concerns. As author Victor Lazzarini argues, the existing literature has made a good footprint in the area but has failed to integrate these various approaches within spectral audio. In Spectral Sound
Design: A Computational Approach, Lazzarini provides an antidote. Spectral Sound Design: A Computational Approach gives authors a set of practical tools to implement processing techniques and algorithms in a balanced way, covering application aspects as well the fundamental theory that underpins them, within the context of contemporary and electronic music practice. The book employs a mix of Python for prototyping and Csound for deployment and music programming. The tight
integration of these three languages as well as the wide scope offered by the combination (going from embedded to supercomputing, and including web-based and mobile applications) makes it the go-to resource to deal with the practical aspects of the subject.

Autoren/Hrsg.

Lazzarini

Lazzarini, Victor

Fachgebiete

• Technische Wissenschaften Sonstige Technologien | Angewandte Technik Akustik, Tontechnik
• Geisteswissenschaften Musikwissenschaft Musikinstrumente
• Geisteswissenschaften Kunst Kunst, allgemein
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikalische Akustik, Tontechnik, Musikaufnahme

Über Autor(innen)

Victor Lazzarini completed his doctorate at the University of Nottingham, UK, where he received the Heyman scholarship for research progress and the Hallward composition prize for a large-scale work, Magnificat. His interests include musical signal processing and sound synthesis; computer music languages; electroacoustic and instrumental composition. He joined the Music Department at Maynooth University in 1998 and was Dean of the Faculty of
Arts from 2014 to 2019.