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E-Book, Englisch, Band 3, 304 Seiten

Reihe: Tess Monaghan

Lippman Butchers Hill


Main
ISBN: 978-0-571-31996-1
Verlag: Faber & Faber
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, Band 3, 304 Seiten

Reihe: Tess Monaghan

ISBN: 978-0-571-31996-1
Verlag: Faber & Faber
Format: EPUB
Kopierschutz: 6 - ePub Watermark



'An imaginative, well-plotted mystery' Sun Sentinel 'A great read with so much excitement! WOW!' 5* reader review WINNER OF ANTHONY AWARD FOR BEST PAPERBACK ORIGINAL WINNER OF THE AGATHA AWARD NOMINATED FOR MACAVITY AWARD A TESS MONAGHAN MYSTERY In walks Luther Beale, the notorious vigilante who, five years ago, shot a boy for vandalising his car. Just out of prison, he wants to make reparations to the kids who witnessed his crime, and he needs PI Tess Monaghan to find them. But once Tess starts snooping, the witnesses start dying. Is the 'Butcher of Butchers Hill' at it again? 'One of the finest writers in America.' MARK BILLINGHAM 'One of my favourite Tess books so far. . . it's beautiful' 5* reader review 'This one brought tears to my eyes and touched me like no other book of its kind!' 5* reader review PRAISE FOR THE TESS MONAGHAN SERIES 'Tess is a heroine with a nose for what she is not being told, and she is never content with half the story. These Baltimore novels are effective thrillers, because they are stories about wanting to know what happens next.' Times Literary Supplement 'Whip smart female protagonist, gritty Baltimore setting. Loved Tess!' 5* reader review 'Readers won't be able to resist Tess, who, like one of Baltimore's famous crabs, sports a tough shell that hides a sweet centre.' BOOKLIST 'Digestible, fun, tense' NPR 'In this series, Lippman has developed sturdy tales, wry humour, and snappy dialogue wrapped around an insider's view of Baltimore.' SUN-SENTINEL 'Tess, is a ballsy, free-spirited woman who thinks on her feet and has a commanding physical presence. . . Highly recommend' 5* reader review 'What fun! I discovered a new (to me) mystery series. Tess Monaghan is a terrific main character.' 5* reader review 'I really have fallen in love with Tess Monaghan. These mystery novels well deserve the awards Lippman has won.' 5* reader review

Laura Lippman's novels have won many crime fiction prizes, including the Edgar, Anthony, Agatha and eDunnit Awards. Her more recent works include Sunburn, a Waterstones Thriller of the Month in 2018, Dream Girl, which was shortlisted for the 2022 CWA Ian Fleming Steel Dagger and Lady in the Lake, adapted by Apple TV+ in 2024. In 2025 she was named a Grand Master by the Mystery Writers of America.
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1


Tess Monaghan’s blotter-size appointment calendar was the largest, whitest space she had ever contemplated. Thirty boxes of June days, vast as the Siberian steppes, stretching across her desk until it seemed as if there were room for nothing else. She thought she might go blind staring at it, yet she couldn’t tear her gaze away. Thirty perfect squares, all awaiting things to do and places to go, and only today’s, the fourth, had a single mark on it:

There was also a doodle in the lower left-hand corner, which she thought a pretty good likeness of a man in a wheelchair taking a long roll off a short pier. In terrible taste, of course, unless one recognized the man as her erstwhile employer, Tyner Gray, in which case the drawing took on a droll charm.

She had told Tyner that June wasn’t the right time to open her own office, but he had pushed and nagged as usual, promising enough work from his law office to carry her through those early dry months. At her darker moments—this one would qualify—she believed all he had really wanted was to free up a desk for his summer clerk.

Well, she had only opened for business last week. One expected things to be a little slow just after Memorial Day weekend. Then again, July and August would be quieter still, as most of Baltimore escaped to Ocean City and the Delaware beaches.

“But not us, Esskay. We’re working girls,” she told her greyhound, who was doing a fair imitation of a Matisse odalisque from her post on the lumpy mauve sofa. “The Pink Nude.” No, “The Black, Hairy Nude with the Pinkish Belly.” A one-time racer, Esskay was now a world-champion napper, putting in about eighteen hours a day between the sofa here and the bed at home. Esskay could afford to sleep. She didn’t have overhead.

Overhead—now there was a wonderfully apt word. Tess was over her head all right, deep in debt and sinking a little more each day. So far, her Quicken accounting program showed only outgo at Tess Monaghan, Inc., technically Keyes Investigations, Inc. The business took its name from a retired city cop whose credential was essential if Tess wanted to operate as a licensed private detective in the state of Mary land. She had never actually met Edward Keyes, who put in the incorporation papers in return for a small percentage of her profits. She hoped he was a patient man.

But now her first prospective client, a Mr. Beale, was due in ten minutes. She suspected he would be pathologically punctual, given that he had literally tried to be here yesterday. He had called just after eight the night before, as if his need for a private detective were a craving that required instant gratification. Tess, who had stayed late in a futile attempt to make her new office look more officelike, wasn’t in a position to turn down any client, but she thought it wiser to let this one stew in his own juices overnight. Or unstew, as the case may be. Beale had sounded the slightest bit drunk over the phone, his words pronounced with the elaborate care of the inebriated. Tess had given him a nine-thirty appointment, after much ostentatious fretting about the havoc it would wreak in her busy, busy day. Yes indeed, she had cut her morning workout by almost thirty minutes, rowing her Alden racing shell only as far as Fort McHenry.

Last night, in the almost-summer twilight, the office had looked clean and professional, a few easy touches away from being a first-class operation. Today, with bright sun slanting through the plate glass window, it looked like what it was—the bottom floor of a too-often-renovated row house in one of the iffier blocks on Butchers Hill. Almost 100 years old, the building had long ago buckled with fatigue, its linoleum floors rippling like tide pools, the doors and the jambs barely on speaking terms. Eggshell paint, even three coats, could only do so much.

If Tess had more money, she might have done better by the old storefront, bringing in real furniture instead of family castoffs. Of course, if she had more money she would have taken a better place in a better neighborhood, a bonafide office with wooden floors, exposed brick walls, maybe a harbor view. In nicer surroundings, her junk could have achieved funk status. Here, it was just junk.

Her Aunt Kitty’s office-warming gift of framed family photographs, seemingly so whimsical and inspired, only made things worse. What type of businesswoman had a tinted photograph of herself smeared with chocolate, holding fast to the neck of a coin-operated flying rabbit while her grandmother tried to pry her off ? Impulsively, Tess yanked this off the wall, only to be reminded that the enlarged photo hid the small wall safe, where her gun rested in solitary confinement. Petty cash would be housed there, too, as soon as she had some.

A hand rapped at the door, with such force it sounded as if it might crash through the glass pane at its center. Eager-beaver Beale, ten minutes early by the neon “It’s Time for a Haircut” barbershop clock that hung on the wall, another contribution from her aunt. “Come in,” Tess shouted over her shoulder, looking around quickly to see if there was anything else she could hang over the safe. The doorknob rattled impatiently, reminding her that she kept it locked, a sad but necessary precaution in Butchers Hill.

“Right there,” she said, placing the picture back on the wall. She could find something more appropriate later. Poker-playing dogs were always nice.

“Miss Monaghan?”

The man she let into her office was barrel-chested with skinny legs that seemed ridiculously spindly beneath such a large bulk. He stepped around Tess, as if encased in an invisible force field that required him to keep great distances between himself and others, then settled slowly into the chair opposite her desk. His joints creaked audibly, the Tin Man after a long, hard rain. No, it was another Oz character he reminded her of, the lesser-known Gnome King from the later books in the series. He had the same rotund girth atop skinny legs. What else? The Gnome King had been deathly afraid of eggs.

“So this is Keyes, Inc.,” her visitor said. “Would you be Keyes?”

“I’m his partner, Tess Monaghan. Mr. Keyes is, uh, semi-retired.”

“I’m retired myself,” the man said, eyes fixed on his own lap. For all Tess’s last-minute worrying, nothing in the surroundings seemed to register with him—not the furnishings, not the photograph, not even Esskay, who had opened her eyes and was doing her adorable bit, just in case the visitor wanted to toss her one of the biscuits that Tess kept in a cookie jar on her desk.

“I guess you know who I am.” His voice was meek, but his chest, already so large, seem to swell with self-importance.

She didn’t. Should she? He was an elderly black man, which in his case meant he had skin the color of a stale Hershey bar—dark brown, with a chalky undercast. He wore a brown suit two shades lighter than his face, and although it was clean and neat, it wasn’t quite right. Too tight in the shoulders, slightly baggy in the legs and paired with a rose-pink shirt and magenta tie. He held a once-white Panama hat, now yellow as a tortilla chip. No woman had watched him dress this morning, Tess decided.

“I’m afraid I don’t,” she admitted.

“Luther Beale,” he said, as if his full name would be enough. It wasn’t. She did hear in his voice the same ponderous, overenunciated quality that had led her to think he was drunk on the phone.

“Luther Beale?”

“Luther Beale,” he repeated solemnly.

“I’m afraid I don’t …”

“You might know me as the Butcher of Butchers Hill,” he said stiffly, and Tess was embarrassed at the little noise she made, halfway between a squeal and a gasp. The nickname had done the trick. In fact, her former employer, the defunct , had bestowed it on him. The had been good at bestowing nicknames, while the surviving paper, the stodgy , was good only at attracting them. The , most called it, although was beginning to gain currency, thanks to a new media column in the city’s alternative weekly.

Luther “the Butcher” Beale. The Butcher of Butchers Hill. For a few weeks, he had been famous, the leading man in a national morality play. Luther Beale, evil vigilante or besieged old man, depending on one’s point of view. Luther Beale. His name had been invoked more often on talk radio than Hillary Clinton’s. Hadn’t “60 Minutes” done a piece on him? No, that had been Roman Welzant, the Snowball Killer, acquitted almost two decades ago in the shooting death of a teenager tossing snowballs at his home outside the city limits a decade earlier. Beale had killed a much younger boy for breaking one of his windows. Or was it a windshield? No matter. The main thing was that a county jury let Welzant walk, while a city jury sent Beale away.

“Yes, Mr. Beale. I remember your … incident.”

“Do you remember how it ended?”

“You were convicted—manslaughter, I guess, or some lesser charge, not murder, if you’re sitting here today—and you went to prison.”

Beale leaned forward in his chair and wagged a finger in Tess’s face, an old man used to teaching lessons to insolent young folks. “No, no, no. I got for the manslaughter charge. It was the gun charge I had to do time for. I killed a boy, a terrible, terrible thing, but they would have let me stay on the streets for that,...



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