Marder The Event of the Thing

Derrida's Post-Deconstructive Realism
1. Auflage 2017
ISBN: 978-1-4426-8804-9
Verlag: De Gruyter
Format: PDF
Kopierschutz: Wasserzeichen (»Systemvoraussetzungen)

E-Book, Englisch, 186 Seiten

The Event of the Thing is the most complete examination to date of Derrida's understanding of thinghood and its crucial role in psychoanalysis, ethics, literary theory, aesthetics, and Marxism.

Autoren/Hrsg.

Marder, Michael

Inhaltsverzeichnis

Table of Contents
Acknowledgements 4

Introduction Hoc nihil ad rem 6

Chapter I: The Event of the Thing: 'Ereignis in Abyss' 13 I.1. Protocols of the thing: That the event will have been possible 14

I.1.1 It's virtually happening… 15

I.1.2 Double affirmative, double perhaps 24

I.2. In-to the things themselves! 33

I.2.1 'What' 'is' 'inside' 'the' 'thing'? 33

I.2.2 The event of expropriation, or how the thing 'spirits away' 41

I.3. The literary and the poetic: A name without the thing and the things without a name 50 Chapter II: 'This Thing Regards Us': The Promise of 'Reified' Intentionality 60 II.1. The real of intentionality and the intentionality of the real 61

II.1.1 The real of intentionality: Noema and hyle 61

II.1.2 The intentionality of the real: Res nostra agitur 67

II.2. The thing of the senses 78

II.2.1 Not-hearing-oneself-speak 78

II.2.2 The imperative for thinking the hand 86

II.3. Being read: Under the eye of the text 93 Chapter III: Deconstruction of Fetishism: The Love and the Work of the Thing 101 III.1. For the love of the thing: Derrida's psychoanalysis 102

III.1.1 Who/what is analyzed in psychoanalysis? 103

III.1.2 Psychoanalysis and resistance-of the (non-idealized) mother 111

III.1.3 How to love the thing, or what does psychoanalysis resist? 122

III.2. The thing at work: On commodity fetishism, or the “phenomenology of value” 130
III.2.1 The enframing (of) value 130

III.2.2 Money, credit, and other 'counterfeit things' 140

III.2.3 Becoming-thing of the thing, becoming-world of the world 148 Chapter IV: On the Thing that Deconstructs Aesthetics 154 IV.1. Style, the signature of the thing 155

IV.1.1 The point of style 155

IV.1.2 Spongy stones, stony sponges, and the countersignature of the thing 160

IV.1.3 Painting with an auto-affective eye (“double vision”) 165

IV.2. Subjectile, the 'epoch' of the thing 172

IV.2.1 Reductio ad rerum: In the memory of… 172

IV.2.2 Thrown together: The artist and the thing 178

IV.2.3 Instead of arriving: 'The bottom without bottom of things' 186

IV.3. Parergon, the thing alongside the work 192 Conclusion: Post-Deconstructive Realism: Of What Remains 199 Abbreviation Key 209 Notes 213

Über Autor(innen)

MarderMichael:

Michael Marder is an assistant professor in the Department of Philosophy at Duquesne University.