E-Book, Englisch, 512 Seiten
McIntosh The French Promise
1. Auflage 2014
ISBN: 978-0-7490-1570-1
Verlag: Allison & Busby
Format: EPUB
Kopierschutz: 6 - ePub Watermark
The gripping romance of post-war Paris and Australia
E-Book, Englisch, 512 Seiten
ISBN: 978-0-7490-1570-1
Verlag: Allison & Busby
Format: EPUB
Kopierschutz: 6 - ePub Watermark
Fiona McIntosh was born in Sussex, moved to Australia in her teens, and now divides her time between South Australia and Wiltshire. After careers in corporate PR and the travel industry, she wrote her first novel. Over 50 books followed across various genres, selling more than 1.5 million copies worldwide to date.
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, the sign read. Rachel thought cynically. Oh, how it mocked them. They were so compliant, so eager to stay alive, to earn the freedom that the slogan promised but never delivered.
Rachel played her violin so absently these days that the music barely registered on her consciousness; they were the notes of pieces she used to hear in her heart but now they were just notes … noise. ‘Make it jolly!’ the Nazi guards ordered. ‘Give us a waltz,’ they jeered.
The camp orchestra was a transient group, which had a collectively low expectation of playing together for long and so only had a handful of tunes. They rotated their brief repertoire monotonously, unconsciously, although the guards liked the marches best of all; the staccato rhythms made it so much easier when counting prisoners.
There were occasions – brief flashes of white-hot defiance – when it occurred to Rachel to snub her captors; to show that spark of rebelliousness that her father had once suggested was her strength. But the anger cooled as quickly as it was stoked. There was so little to gain – other than a momentary private joy, perhaps. Besides, reprisals were often foisted on others, and Rachel knew where even the mildest rebels were taken: marched to a scornful pretend court that didn’t believe in fundamental objectivity. Emotionless, clean-shaven men with their shiny pink faces and close-cropped hair would barely go through the motions of listening and serving justice. Whoever the prisoner was – man or woman – they found themselves facing this mock court already accepting that they were going to be taken to the back of Block 11, undressed, stood against the ‘wall of death’ and shot. It didn’t matter if their indiscretion was as minor as not understanding barked orders given in German; execution was usually the sentence and their wooden camp clogs would still be vaguely warm when the next prisoner grabbed them.
Like all the others there, Rachel had lost the memory of what it felt like to laugh and certainly how to hope, but she continued to play in the camp orchestra because to feel her fingers on the strings of her violin reminded her that a happier past had existed, even though inside she now felt dead. Reduced to this subhuman status where life was cheap and so easily squandered, she nevertheless clung greedily to it as instinctively as an animal might. But they were all so meek. She despised that part of herself most of all. She had become entirely cowed; shrinking from her jailers’ barked orders, their ready rifle butts and their cruel sneers. At what point had humanity so shifted, she wondered, that one person could gladly make a stranger – who had done them no wrong – suffer so terribly? Rachel didn’t know why she kept trying to make sense of it. Each day was a study in survival; the will to see another sunrise was their currency.
The orchestra moved monotonously into the famous Baroque piece from the second Air by Bach. She’d helped to arrange this version to suit their numbers and abilities. It was her violin that carried the Air and perhaps it was the measured pace, so sorrowful and stirring, that plucked at her emotions. As Rachel drifted away, hearing none of the squeaks, coughs, or errors; no longer seeing uniforms or guns, or ragged, skeletal prisoners – a sob erupted deep in her chest as she recalled in achingly bright clarity their day of arrival at the prison camp known as Auschwitz-Birkenau. The music was the perfect accompaniment as she helplessly relived her nightmare.
The Bonet family survived Drancy camp, north of Paris, after being bullied onto a train from their home in Provence. Their number was reduced to five after her brother Luc had remained hidden and her grandmother had succumbed to her injuries from a French policeman’s fists. Her father assured her they would remain, held in Paris, until everything could be sorted out.
‘I’ll buy our way to freedom,’ he assured his four precious women, though Rachel knew her father too well. His sad eyes, averted while he comforted, told her he didn’t believe the lie in his own words.
Even forewarned, Rachel was unprepared for the German resolve to clear all Jews out of Western Europe, and before long her family found themselves shoved, like the animals who occupied it before them, into a cattle car. Once the door had slammed on their rude prison, the carriage hadn’t moved for two days.
‘Stop your yelling,’ a passing guard warned. ‘The other cargo trains take precedence over human refuse,’ he sneered, banging on the side of the cattle car. They heard other guards sniggering with him.
The slow, sorrowful music ascended and Rachel was instantly there again, watching her father count their fellow prisoners, while elder sister Sarah held their mother close. It seemed Golda had lost the ability to speak.
Jacob turned. ‘I count one hundred and twenty-seven souls with us,’ he murmured, disgusted.
‘I’m thirsty, Rachel,’ her youngest sister, Gitel, moaned from her arms.
‘I know, darling,’ she said, eyeing her father. ‘We’ll work out everyone having a sip of water from the bucket soon, I promise. Just be patient.’ She could barely breathe. It was the last hurrah of summer and there was no ventilation in the carriage, save a tiny high window that their family was not close enough to. Perhaps they’d have to work out a rotation system for a chance to breathe the fresh air as well.
Shouts and whistles could be heard on the third day but it came too late for fourteen of their fellow travellers, mainly the very old and the very young. It was Jacob, suddenly accepted by all as their natural spokesperson, who had reasoned with one of the youngest guards to let the dead be removed before the journey began. The guard permitted this but then the families of the dead had to be soothed as they watched their beloved relatives being dragged carelessly to the platform. Two parents who refused to leave their dead child behind were also pulled from the stifling car, the mother weeping hysterically.
‘Don’t worry,’ the guard said. ‘We’ll put them on another train,’ he assured Jacob.
Moments later, after another shrill whistle and the train of human cargo finally lurched into movement, Rachel could swear she heard two distant gunshots.
Even though they’d lost fourteen souls, they were still forced to travel standing up and Rachel soon lost track of day or night. Whoever was closest to the tiny slit of a window would report on the hour of the day as best they could from the position of the sun. She no longer cared, anyway. Their hours were no longer measured by routine habits – there was no food and no sanitation, save a single bucket that had overflowed within the first two days. Now, their only option to relieve themselves was directly onto the boards below their feet, already swilling with waste and piled with another eleven corpses. There would be plenty more dead before this journey’s end.
‘It explains the caustic lime,’ she mentioned into the fetid air surrounding her family. Jacob, who did his best to marshal everyone’s spirits, nodded grimly but didn’t reply.
Golda continued to stare, glassy and unfocused, despite her teenage daughter’s pleadings. It was for Gitel that they must all stay strong, Jacob urged. So Rachel and Sarah had set aside their private fears, their hunger and fatigue, and sang to Gitel, held her close, told her stories. Rachel had wondered time and again about Luc during that forsaken journey and how he had escaped capture. She and Sarah had agreed that he must have still been up in the lavender fields on the high ridge above Saignon when the French police came for their family. Perhaps he saw what had happened? Maybe he would come for them?
Her father shooshed her repeatedly. ‘Do not mention his name; his very existence.’ He refused to elaborate, except for ‘I promise you, child, there is good reason for this demand,’ although he would not explain why. Rachel’s respect for her father and love for Luc meant she bore no ill will for the fact that he was presumably free. The notion that he might avenge their suffering nourished her during moments of deepest despair when she wished they could all just fall asleep where they stood and never wake to whatever awaited them. Not for a moment did Rachel believe they were on their way to resettlement camps in Poland; that a fresh start beckoned with honest work and a new land to build homes, but she kept her conclusions to herself. Hope was all that was keeping most of her companions going. Not her, though. Defiance kept Rachel strong; anger at her life being dismantled, her bright future shrouded, her family wrecked and despairing.
, she told herself like a mantra as their eastward journey brought them into increasingly cooler climes until it was near enough freezing at night. Then, even the thinnest warmth of their huddled bodies was a balm.
When they finally came to a lurching, screeching halt that flung the survivors forwards, trampling the dead and squashing each other before being thrown backwards, Rachel presumed it was an autumn afternoon, despite having lost all sense of time. Her body was already so cold that not even the icy drizzle of a desperately bleak morning could make Rachel feel worse than she already did as she stumbled out of the carriage and turned to help her elders.
? She couldn’t remember.
A vicious wind cut into any exposed flesh like a blade, howling its...




