Moser Esthetics as Nightmare

Russian Literary Theory, 1855-1870
Course Book
ISBN: 978-1-4008-5999-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, 326 Seiten

Reihe: Princeton Legacy Library

As an epoch of "censorship terror" drew to a close with the death of Nicholas I and the end of the Crimean War, Russian intellectuals had begun expressing their desires for political, philosophical, and religious reform through passionate debates over literature and esthetics. Charles Moser re-creates the leading controversies over literature and art during a crucial period that saw the work of such authors as Turgenev, Dostoevsky, and Tolstoy. Emphasizing particularly the years from 1862 to 1870, Moser presents the doctrines of lesser known and major figures from both liberal and conservative camps, which influenced the development of Socialist Realism and Russian Formalism.

The debates presented begin with a discussion of an essay by Nikolay Chernyshevsky, "Esthetic Relations of Art to Reality," which set the stage for the entire period. Among the many topics examined by the author are the doctrines of the radical critic Dmitry Pisarev and the writings of his opponents, such as Nikolay Solovev and Evgeny Edelson.

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Autoren/Hrsg.

Moser, Charles A.

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Slawische Literaturen Ostslawische Literatur

Inhaltsverzeichnis

FrontMatter, pg. i
Contents, pg. ix
Illustrations, pg. xi
Preface, pg. xiii
A Note on the References, pg. xxiii
Chapter One. The Disputants and Their Journals, pg. 3
Chapter Two. Art and Rationality, pg. 87
Chapter Three. Art and Morality, pg. 150
Chapter Four. Aft and Reality, pg. 218
Bibliography, pg. 271
Index, pg. 281