Luigi Nono

Erscheinungsjahr 2016
ISBN: 978-0-521-84534-2
Verlag: Cambridge University Press

Buch, Englisch, 361 Seiten, Format (B × H): 175 mm x 250 mm, Gewicht: 807 g

Reihe: Music since 1900

The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fucik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo.

Autoren/Hrsg.

Nielinger-Vakil, Carola

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Medizin | Veterinärmedizin Medizin | Public Health | Pharmazie | Zahnmedizin Physiotherapie, Physikalische Therapie Ergotherapie, Kreativtherapie (z. B. Kunst, Musik, Theater)
• Sozialwissenschaften Politikwissenschaft Politische Ideologien Marxismus, Kommunismus
• Geisteswissenschaften Musikwissenschaft Musikinstrumente Saiteninstrumente
• Geisteswissenschaften Philosophie Philosophie: Allgemeines, Methoden
• Geisteswissenschaften Musikwissenschaft Musikgattungen Elektronische Musik
• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassische Musik des 20./21. Jahrhunderts

Inhaltsverzeichnis

Preface and acknowledgements; Part I. Music and Memory: 1. Political and musical premises; 2. Il canto sospeso (1955–6); 3. Towards spatial composition; 4. Music to Die Ermittlung by Peter Weiss (1965); Part II. Music as Memory: 5. Towards other shores; 6. Fragmente – Stille, an Diotima (1979–80); 7. Prometeo. Tragedia dell'ascolto (1975–85).

Über Autor(innen)

Nielinger-Vakil, Carola
Carola Nielinger-Vakil is a freelance flautist and musicologist based in London. She has published widely on the music of Luigi Nono. In collaboration with Martin Brady, she has also written on film music by Paul Dessau.