On Minimalism

Documenting a Musical Movement
1. Auflage 2023
ISBN: 978-0-520-38208-4
Verlag: University of California Press

Buch, Englisch, 470 Seiten, Trade Paperback, Format (B × H): 152 mm x 227 mm, Gewicht: 642 g

A revisionist history of minimalism's transformative rise, through the voices of the musicians who created it.

When composers like Philip Glass and Steve Reich began creating hypnotically repetitive music in the 1960s, it upended the world of American composition. But minimalism was more than a classical phenomenon—minimalism changed everything. Its static harmonies and groovy pulses swept through the broader avant-garde landscape, informing the work of Yoko Ono and Brian Eno, John and Alice Coltrane, Pauline Oliveros and Julius Eastman, and many others.

On Minimalism moves from the style's beginnings in psychedelic counterculture through its present-day influences on ambient jazz, doom metal, and electronic music. The editors look beyond the major figures to highlight crucial and diverse voices—especially women, people of color, and LGBTQ+ musicians—that have shaped the genre. Featuring more than a hundred rare historical sources, On Minimalism curates this history anew, documenting one of the most important musical movements of our time.

Autoren/Hrsg.

O'Brien, Kerry

Robin, William

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

Contents

Foreword by Joan La Barbara

Introduction

PART ONE

1. Improvisation and Experimentation

2. Dream Music

3. Loops and Process

4. Altered States

5. Gurus and Teachers

6. Cultural Fusion

7. Across the Arts
8. Ensembles

PART TWO

9. 1976

10. The New Downtown

11. Instruments and Environments

12. Ambient and New Age
13. Canons

14. Backlash

15. Politics, Identity, and Expression

16. Postminimalists

17. Spiritual Minimalism

18. Popular Culture

PART THREE

19. Histories

20. Silences

21. Futures

Acknowledgments
Listening Guide
Notes
Bibliography

Index

Über Autor(innen)

Kerry O'Brien is a writer and musicologist who teaches at Cornish College of the Arts in Seattle. She has published work on minimalism and experimentalism in Rethinking Reich, Tempo, the Chicago Reader, and the New York Times.

William Robin is Associate Professor of Musicology at the University of Maryland School of Music, author of Industry: Bang on a Can and New Music in the Marketplace, and a contributor to the New York Times.