Revisiting Giuseppe Torelli (1658-1709)

Contexts, Works, and Legacies
1. Auflage 2026
ISBN: 978-3-7965-5724-8
Verlag: Schwabe Verlag Basel

Buch, Englisch, Italienisch, Band Bd. 45 45, 460 Seiten, Gebunden

Reihe: Basler Beiträge zur Historischen Musikpraxis

This volume reassesses the life, works, contexts, and legacy of Giuseppe Torelli (1658–1709), and explores his music in relation to its contemporary cultural and institutional environments, while examining its circulation, reception, and influence. Drawing on diverse sources and methodological approaches, the volume highlights different facets of Torelli’s career, from individual genres to performance, transmission, and networks in order to broaden the understanding of Torelli’s place in and significance beyond the musical culture of his time.

Autoren/Hrsg.

Pavanello, Agnese

Vanscheeuwijck, Marc

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik
• Geisteswissenschaften Musikwissenschaft Musikgattungen Sinfonische Musik & Ensembles
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Musikwissenschaft Musikinstrumente Saiteninstrumente
• Geisteswissenschaften Musikwissenschaft Musikgattungen Geistliche Musik, Religiöse Musik
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikinstrumente Instrumentenunterricht & Lernanleitungen

Über Autor(innen)

Agnese Pavanello has been a member of the Schola Cantorum Basiliensis Research Department since 2012. She specialises in Renaissance sacred polyphony and Italian instrumental music of the 17th and 18th centuries. Her current research on Tartini focuses on teaching methods at the Scuola delle Nazioni.
Marc Vanscheeuwijck is professor emeritus of musicology at the University of Oregon, where he taught from 1995 to 2022. He is currently a visiting professor at the conservatories of Brussels and Paris, where he teaches Baroque cello performance practice. His research focuses on late 17th-century music in Bologna and on the history and repertoire of the cello.

Agnese Pavanello has been a member of the Schola Cantorum Basiliensis Research Department since 2012. She specialises in Renaissance sacred polyphony and Italian instrumental music of the 17th and 18th centuries. Her current research on Tartini focuses on teaching methods at the Scuola delle Nazioni.
Marc Vanscheeuwijck is professor emeritus of musicology at the University of Oregon, where he taught from 1995 to 2022. He is currently a visiting professor at the conservatories of Brussels and Paris, where he teaches Baroque cello performance practice. His research focuses on late 17th-century music in Bologna and on the history and repertoire of the cello.