Posman / Reverseau / Ayers The Aesthetics of Matter

Modernism, the Avant-Garde and Material Exchange
1. Auflage 2013
ISBN: 978-3-11-031753-4
Verlag: De Gruyter
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, Band 3, 447 Seiten

Reihe: European Avant-Garde and Modernism StudiesISSN

Zielgruppe

Scholars of Literary and Cultural History; Art Historians

Autoren/Hrsg.

Posman, Sarah

Reverseau, Anne

Ayers, David

Bru, Sascha

Hjartarson, Benedikt

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte

Inhaltsverzeichnis

1;Introduction;13
1.1;Matter on the Move;15
2;Translations;27
2.1;Modernism Diffracted;29
2.1.1;Picture Postcards from The Sturm Gallery and Walden. Collection in Berlin;29
2.2;André Breton’s Autobiographical Cut-Ups;41
2.2.1;Collages, Photographs, and Cinema;41
2.3;Visual Music, a Missing Link?;51
2.4;From Abstract Film to Op Art and Kinetic Art?;60
2.4.1;Henryk Berlewi’s Mechano-Facture as a Transmedial Adaptation of Viking Eggeling’s Experimental Films;60
2.5;“hap-hap-hap-hap-happy clothes”;79
2.5.1;Avant-Garde Experiments in/with Material(s);79
2.6;The Poetic Materiality of Fascism on the British Stage;94
2.7;Dematerializing Verbal and Visual Matter;106
2.7.1;Wassily Kandinsky’s Bitextuality;106
3;Material Memory;117
3.1;Beyond Matter or Form;119
3.1.1;Invalidating Subliminal Contradictions in the Aesthetics of Matter;119
3.2;Upon Hearing James Joyce;130
3.2.1;The Anna Livia Plurabelle Gramophone Disc (1929);130
3.3;Small Press Modernists;140
3.3.1;Collaboration, Experimentation and the Limited Edition Book;140
3.4;Plaster as a Matter of Memory;156
3.4.1;Auguste Rodin and George Segal;156
3.5;Deconstructive Readings of the Avant-Garde Tradition in Post-Socialist Retro-Avant-Garde Theatre;170
3.6;The Materiality of a Contemporary Avant-Garde?;179
3.6.1;Legacies of Surrealist Collage in Contemporary Art;179
4;Spaces and Places;193
4.1;Reproducing the Avant-Garde;195
4.1.1;The Art of Modernist Magazines;195
4.2;Bedeutungsveränderung und Kanonisierung des deutschen Expressionismus in den USA;206
4.3;Expressionism, Fiction and Intermediality in Nordic Modernism;219
4.4;Materiality and Dematerialization in Paul Neagu’s Work;233
4.5;La maison d’artiste en portrait, manifeste et sanctuaire;247
4.5.1;L’exemple de Fernand Khnopff;247
4.6;Liquid Modernity and the Concrete City;261
4.6.1;Ford Madox Ford and Virginia Woolf;261
5;Bodies and Sensoria;273
5.1;To “Feel Breathing”;275
5.1.1;Duchamp and the Immaterial Aesthetics of Scent;275
5.2;Synthesis Instead of Analysis;289
5.2.1;Avant-Garde Eat Art and the Cultural Dimensions of Taste;289
5.3;Lygia Clark, the Paris Years;304
5.3.1;The Body as Medium and Material;304
5.4;Les matérialités à l’oeuvre dans la « poésie élémentaire » de Julien Blaine;314
5.5;Corps, que me veux-tu?;331
5.5.1;Embodiment and Visuality in Post-1950 Music;331
6;Subjectivities;345
6.1;M/Paternal Meanings in the Neo-Avant-Garde;347
6.2;Raoul Hausmann et le montage de matériau textuel : Hylé I;359
6.3;Georges Hugnet’s Surrealist Monsters and Women;371
6.4;From Material Meaningless to Poetics of Potentiality;382
6.4.1;The Religious Dimension of Lettrist Visual Poetry;382
6.5;A “Dance of Gestures”;392
6.5.1;Hyperdialectic in Gertrude Stein’s Compositions;392
6.6;Conceptual Frames of Life;408
6.7;Passage du sujet dans la « matière mentale » surréaliste;423
7;List of Contributors;435
8;Index;437

Über Autor(innen)

S. Posman, Ghent, A. Reverseau and S. Bru, Leuven, D. Ayers, Canterbury, and B. Hjartarson, Reykjavik.