Classical Music Criticism

1. Auflage 1996
ISBN: 978-0-8153-1895-8
Verlag: Routledge

Buch, Englisch, Band 2, 280 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 489 g

Reihe: Dummy Serial - go live Test

The first new survey of the field in more than 60 years, this study concentrates on the basics of music criticism. Because it focuses on core issues and proven principles, the book is likely to become the standard work on the subject. It is written for the audience that reads music criticism in newspapers and popular journals: professional and amateur musicians, scholars, teachers, researchers, librarians, students, music lovers, journalists, and critics. The topics are covered in depth and observations are thoroughly documented, yet the material is enjoyable to read because the writing is easy to understand and special terminology is held to an absolute minimum.
The commentary addresses the function of music criticism, the qualifications and training of a critic, the relationship between music criticism and other aspects of journalism, and the principles behind value judgments. Three chapters are devoted to the concert and opera review, one to reviewing recordings, another to radio and television criticism, and one to reviewing ethnic music. Thirty-eight reviews are quoted and analyzed, and 13 are presented in their entirety, along with critical commentary. Index. Appendix. Bibliography

Autoren/Hrsg.

Schick, Robert D.

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassik (ca. 1750-1830)
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

Part 1 The Background; Chapter 1 Some Basic Issues; Chapter 2 The Function of Music Criticism; Chapter 3 The Qualifications and Training of a Critic; Chapter 4 Music Criticism and Journalism; Chapter 5 The Principles Behind Value Judgments; Part 2 The Criticism; Chapter 6 The Concert and Opera Review; Chapter 7 Writing the Concert and Opera Review; Chapter 8 Intentions, Program Music, and the Expression Theory; Chapter 9 Reviewing Recordings; Chapter 10 Reviewing Ethnic Concerts and Recordings; Chapter 11 Radio and Television Criticism; Coping with the 1990s; Questionnaire to Critics;

Über Autor(innen)

Robert D. Schick