Schlachetzki Fusing Lab and Gallery

Device Art in Japan and International Nano Art
1. Auflage 2014
ISBN: 978-3-8394-2026-3
Verlag: transcript
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, Band 36, 262 Seiten, Format (B × H): 148 mm x 225 mm

Reihe: Image

Why do Japanese artists team up with engineers in order to create so-called 'Device Art'? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science – an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on 'art & science', interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change – between now and the future.

Autoren/Hrsg.

Schlachetzki, Sarah M.

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Geisteswissenschaften Kunst Kunst, allgemein Kunst: Rezeption, Einflüsse und Beziehungen
• Technische Wissenschaften Technik Allgemein Technik: Allgemeines
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
• Geisteswissenschaften Kunst Kunststile Asiatische Kunst

Über Autor(innen)

Sarah M. Schlachetzki (Dr. phil.) is an art historian and has taught contemporary art history at the University of Zurich. Her research interests include general questions in art sociology, media art, and art's significance in post-dictatorship Argentina.