Modal Counterpoint

Renaissance Style
2. Revised Auflage 2008
ISBN: 978-0-19-533194-3
Verlag: Oxford University Press Inc

Buch, Englisch, 372 Seiten, Format (B × H): 230 mm x 279 mm, Gewicht: 864 g

An exceptional text for undergraduate and graduate music students, Modal Counterpoint, Renaissance Style uses a wide variety of carefully graded exercises to present guidelines for writing and analyzing 16th-century music. The only species counterpoint text that draws directly on Renaissance treatises, it provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. With stylistically diverse examples including not only motets and mass movements but also French chansons, German chorale settings, English canzonets, Italian madrigals, and Spanish organ hymns, villancicos, and ricercars, the book gives students a "real-life" feel for the subject. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The concluding chapters provide the formal and conceptual building blocks for longer pieces and encourage students to understand analysis and composition as complementary activities. By the end of the book, students are writing real compositions, not just drill exercises. The text also features progressively graded exercises, historical asides that explain important topics and issues of the period, and some notes in the preface on using the book in the classroom. Combining the historical accuracy of "style-oriented" texts with the more systematic species counterpoint approach, this book offers a unique alternative to other methods.
Now in its second edition, Modal Counterpoint, Renaissance Style integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.

Autoren/Hrsg.

Schubert, Peter

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

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- Introduction: Renaissance Musical Style and Notation

- 1. Mode

- 2. Introduction to Two-Part Species Counterpoint

- 3. First Species

- 4. Second Species

- 5. Third Species

- 6. Fourth Species

- 7. Mixed Values

- 8. Counterpoint with Repetition of a Motive

- 9. Motivic Variation

- 10. Cadence Formulas in Two Voices

- 11. Two Parts in Mixed Values

- 12. The Imitative Duo

- 13. Invertible Counterpoint

- 14. Three Parts

- 15. Three Parts in Mixed Values

- 16. The Three-Voice Invertible Canon

- 17. Four-Part Writing

- 18. Adding Three Parts in Mixed Values to a CF

- 19. Four Parts in Mixed Values

- 20. Composing a Whole Piece

- Appendices

- 1: Text Setting

- 2: Canon Against a CF

- 3: Solmization

- 4: Sample Motive Placements

- 5: The Invertible Duo

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Über Autor(innen)

Schubert, Peter
Peter Schubert, Associate Professor in the Faculty of Music, McGill University, Montreal.

Peter Schubert is Associate Professor in the Faculty of Music at McGill University, Montreal.