Performance in Bali

Then and Now
2. Auflage 2026
ISBN: 978-1-041-15813-4
Verlag: Taylor & Francis Ltd

Buch, Englisch, 226 Seiten, Format (B × H): 138 mm x 216 mm, Gewicht: 330 g

This book is an introduction to the exquisite world of Balinese performance and an in-depth study of specific forms and the contextual landscape surrounding them.

The book explores all aspects of Balinese performance and describes four specific forms of contemporary performance that are unique to Bali: Wayang shadow-puppet theatre, Sanghyang ritual trance performance, Gambuh classical dance-drama, and the virtuoso art of Topeng masked theatre, followed by a final chapter examining recent innovations in contemporary performance. The focus is on examining and describing the techniques used in training performers and how these techniques can be applied to Western training in drama and dance. The book also explores the relationships between improvisation and structured dramatic forms, as well as between contemporary performance approaches and traditional heritage. It offers a guide to current practice, with detailed analyses of recent theatrical performances examining all aspects of production, performance, and audience reception.

The culturally unique theatrical events of Bali are contextualized within religious, intellectual, and social backgrounds to provide unparalleled insight into the mind and world of the Balinese performer. This new edition adds dynamic commentary on and analysis of innovations in contemporary Balinese performance since the original publication in 2007, alongside stunning new colour photographs.

Zielgruppe

Academic and Postgraduate

Autoren/Hrsg.

Sedana, I Nyoman

Rubin, Leon

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft

Inhaltsverzeichnis

1. Past and Present 2. Wayang shadow theatre 3. Sanghyang trance performance 4. Gambuh classical performance 5. Topeng masked theatre 6. Contemporary Balinese performance

Über Autor(innen)

Leon Rubin is FRAS and FRSA Professor at the University of the Arts Singapore, and Dean of Faculty of Performing Arts, LASALLE College. He is also former Director of East 15 Acting School, University of Essex, and an international theatre director and published specialist in SE Asian performance and Shakespeare.

I Nyoman Sedana is Professor of the Indonesian Arts Institute, Director of Kamajaya Arts Studio, PEPADI puppetry community. He is an international performer, researcher, collaborator and world performance director and is a published specialist in Indonesia-India performance art theories. He is former Chairman of the Pedalangan Puppetry Association.