Selakovich | Killer Camera Rigs That You Can Build | Buch | 978-0-240-81337-0 | www.sack.de

Buch, Englisch, 426 Seiten, Format (B × H): 216 mm x 280 mm, Gewicht: 1070 g

Selakovich

Killer Camera Rigs That You Can Build

How to Build Your Own Camera Cranes, Car Mounts, Stabilizers, Dollies, and More!
3rd Auflage
ISBN: 978-0-240-81337-0
Verlag: Routledge

How to Build Your Own Camera Cranes, Car Mounts, Stabilizers, Dollies, and More!

Buch, Englisch, 426 Seiten, Format (B × H): 216 mm x 280 mm, Gewicht: 1070 g

ISBN: 978-0-240-81337-0
Verlag: Routledge


Don't buy or rent your fillm equipment - build it! Construct professional-quality camera rigs on your own with this comprehensive, step-by-step guide and stop wasting your money on overpriced equipment rentals and purchases! Dan Selakovich guides you through the creation of jibs, dollies, cranes, car-mounts, sandbags, tripods, and more. Features include:

- Build inexpensive but reliable and sturdy rigs-including cranes, dollies, stabilizers, car-mounts, and more; most for much less than $100!

- Includes over 2,000 photographs with clear step-by-step instructions, safety guidelines, material lists, and tool lists for each rig.

- American standard and meric measurements included.
Includes a companion web site: http://dvcamerarigs.com/

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Zielgruppe


Professional Practice & Development


Autoren/Hrsg.


Weitere Infos & Material


Introduction; The Dark Passage Dolly; The Shock Corridor Camera Stabilizer; The Big Combo Crane; The Third Man Tripod; The Steel Trap Spreader; They Drive By Night Car Mount; The Killers Kiss Crane; The Sweet Smell of Success Pooper-Scooper Cam; The Touch of Evil Cam; The Harder They Fall Sand Bags; The Big Carnival Crane; Painting Your Rigs


Dan Selakovich has held almost every position on a variety of film and video projects: Cinematographer, assistant camera, gaffer, grip, boom operator, loader, and since 1986, editor and second unit director. As an editor, Dan acquired the reputation as someone who could "fix" a film in trouble, and found himself working mostly as an uncredited film surgeon making bad films a little more watchable.



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