Stanislavsky

A Life in Letters
1. Auflage 2013
ISBN: 978-0-415-51667-9
Verlag: Taylor & Francis Ltd (Sales)

Buch, Englisch, 672 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 1111 g

Konstantin Stanislavsky transformed theatre in the West and was indisputably one of the twentieth century’s greatest innovators. His life and work mark some of the most significant artistic and political milestones of that tumultuous century, from the emancipation of the serfs to the Russian Revolution. Little wonder, then, that his correspondence contains gripping exchanges with the famous and infamous of his day: men such as Tolstoy, Chekhov, Trotsky and Stalin, among others.

Laurence Senelick, one of the world’s foremost scholars of Russian literature, mines the Moscow archives and the definitive Russian edition of Stanislavsky’s letters, to produce the fullest collection of the letters in any language other than Russian. He sheds new light on this fascinating field. Senelick takes us from the earliest extant letter of an eleven-year-old Konstantin in 1874, through his work as actor, director and actor trainer with the Moscow Art Theatre, to messages written just before his death in 1938 at the age of seventy-five.

We discover Stanislavsky as son, brother and father, as lover and husband, as businessman and "internal emigre." He is seen as a wealthy tourist and an impoverished touring actor, a privileged subject of the Tsar and a harried victim of the Bolsheviks.

Senelick shares key insights into Stanislavsky's work on such important productions as The Seagull, The Cherry Orchard, Hamlet, Othello, and The Marriage of Figaro. The letters also reveal the steps that led up to the publication of his writings My Life in Art and An Actor’s Work on Himself. This handsome edition is also comprehensively annotated and fully illustrated.

Zielgruppe

General, Postgraduate, Professional, Professional Practice & Development, and Undergraduate

Autoren/Hrsg.

Senelick, Laurence

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Schauspieltechnik, Theaterpädagogik

Inhaltsverzeichnis

CONTENTS

List of Illustrations

Preface

Introduction

Abbreviations and Acronyms

1. A Gilded Youth 1863-1886

2. The Society for Art and Literature 1888-1897

3. The Moscow Art Theatre Emerges 1897-1900

4. Chekhov and Gorky 1901-1904

5. Flirting with Symbolism 1904-1908

6. Experiments in All Directions 1909-1911

7. The Studio and Stepanchikovo 1912-1916

8. The Revolution and the Civil War 1917-1921

9. Innocents Abroad 1922-1924

10. Adjusting to a Soviet World 1924-1928

11. An Internal Émigré 1929-1932

12. Becoming a Monument 1933-1938

Bibliography

Index

Über Autor(innen)

Laurence Senelick is Fletcher Professor of Drama at Tufts University and a Fellow of the American Academy of Arts and Sciences. His many books include Russian Dramatic Theory from Pushkin to the Symbolists; Gordon Craig’s Moscow Hamlet; The Chekhov Theatre: A Century of the Plays in Performance; and A Historical Dictionary of Russian Theatre. He has been awarded the St George medal of the Russian Ministry of Culture for contributions to Russian art and scholarship.