Sitton Lady in the Dark

Iris Barry and the Art of Film
1. Auflage 2014
ISBN: 978-0-231-53714-8
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 496 Seiten, Format (B × H): 152 mm x 229 mm

No detailed description available for "Lady in the Dark".

Autoren/Hrsg.

Sitton, Robert

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk
• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein Biographien & Autobiographien: Historisch, Politisch, Militärisch
• Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik

Inhaltsverzeichnis

List of Illustrations
Foreword by Alistair Cooke
Credits
Previews
1. Early Years
2. "We Enjoyed the War"
3. "Dear Miss Barry"
4. The Other Bloomsbury
5. Life with Lewis
6. Children
7. Alan Porter
8. The Spectator
9. Splashing Into Film Society
10. Cinema Paragons, Hollywood, and Lady Mary
11. Let's Go to the Pictures
12. Victory and Defeat
13. America
14. The Askew Salon
15. Museum Men
16. Remarriage
17. Settling In
18. Cracking Hollywood
19. Art High and Low
20. On to Europe
21. Going Public
22. The Slow Martyrdom of Alfred Barr
23. Meanwhile, Back at the Library
24. New Work, Old Acquaintances
25. "The Master" and His Minions
26. Temora Farm
27. The Museum Enlists
28. Mr. Rockefeller's Office
29. L'Affair Buñuel
30. The Other Library
31. Divorce
32. Postwar Blues
33. Abbott's Fall
34. Hospital
35. Departure
36. La Bonne Font
37. Things Past
38. The Austin House
39. Readjustments
40. New York and London
41. Final Breaks
42. The End
Sequel
Notes
Sources
Index

Leseproben

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Über Autor(innen)

Robert Sitton is adjunct professor of media and culture at Marylhurst University in Portland, Oregon. He received his Ph.D. in philosophy from Duke University and worked on the cultural news staff of the New York Times, as director of film education for the Lincoln Center for the Performing Arts, and, in the 1970s, developed the Northwest Film Study Center of the Portland Art Museum, fashioned after Iris Barry's collection at the Museum of Modern Art.