Beethoven the Pianist

Erscheinungsjahr 2015
ISBN: 978-0-521-11959-7
Verlag: Cambridge University Press

Buch, Englisch, 284 Seiten, Format (B × H): 175 mm x 250 mm, Gewicht: 677 g

Reihe: Musical Performance and Reception

The widely held belief that Beethoven was a rough pianist, impatient with his instruments, is not altogether accurate: it is influenced by anecdotes dating from when deafness had begun to impair his playing. Presenting a new, detailed biography of Beethoven's formative years, this book reviews the composer's early career, outlining how he was influenced by teachers, theorists and instruments. Skowroneck describes the development and decline of Beethoven's pianism, and pays special attention to early pianos, their construction and their importance for Beethoven and the modern pianist. The book also includes new discussions of legato and Beethoven's trills, and a complete annotated review of eyewitnesses' reports about his playing. Skowroneck presents a revised picture of Beethoven which traces his development from an impetuous young musician into a virtuoso in command of many musical resources.

Autoren/Hrsg.

Skowroneck, Tilman

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassik (ca. 1750-1830)
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker

Inhaltsverzeichnis

Introduction; Part I. Beethoven, His Playing and His Instruments: 1. Beethoven's early training; 2. Beethoven the pianist; 3. Beethoven's first decade in Vienna; 4. The 1803 Érard Grand Piano; Part II. Sound Ideal and Performance: 5. The builder's influence; 6. The player's influence; Part III. Sound Ideal, Notation and Stylistic Change: 7. Common touch and legato; 8. The performance of Beethoven's trills; Epilogue; Bibliography.

Über Autor(innen)

Skowroneck, Tilman
Tilman Skowroneck is a postdoctoral researcher at the University of Southampton, and is also a freelance harpsichordist and fortepianist. His main area of interest is the early piano, its construction and its repertoire. This is his first book.