E-Book, Englisch, 128 Seiten
Reihe: NHB Modern Plays
Tan Scenes from a Repatriation
1. Auflage 2025
ISBN: 978-1-78850-874-2
Verlag: Nick Hern Books
Format: EPUB
Kopierschutz: 6 - ePub Watermark
E-Book, Englisch, 128 Seiten
Reihe: NHB Modern Plays
ISBN: 978-1-78850-874-2
Verlag: Nick Hern Books
Format: EPUB
Kopierschutz: 6 - ePub Watermark
Joel Tan is a Singaporean playwright based between London and Singapore. In Singapore, his plays have been produced by leading theatre companies like Checkpoint Theatre, Wild Rice, and Pangdemonium, and several are available in a collection, Joel Tan Plays Volume 1, published by Checkpoint Theatre. Recent work in the UK includes: Scenes from a Repatriation (Royal Court Theatre Upstairs, 2025); No Particular Order (Theatre 503, London, 2022); When The Daffodils (Orange Tree Theatre, Richmond, 2021); Living Newspaper with the Royal Court Theatre; Overheard, and Augmented Chinatown with Chinese Arts Now. His play Love in the Time of the Ancients was a finalist for the 2019 Papatango Prize, and No Particular Order was shortlisted for Theatre 503's 2018 Playwriting Award.
Autoren/Hrsg.
Weitere Infos & Material
Prologue
MAN
WOMAN CHILD
WOMAN. I love you.
CHILD. They’re not coming.
WOMAN. I love you.
CHILD. The door’s stuck.
WOMAN. I love you.
MAN
PART ONE: THE UNITED KINGDOM OF GREAT BRITAIN AND NORTHERN IRELAND
1.
WITCH ONE
WITCH ONE. I love you too.
Oh, I…
()
()
()
( )
Hello?
()
()
Fuck.
()
That’s better.
Isn’t it?
–
–
–
It’s alright.
It’s time to
You can –
()
Ooph, something heavy here.
You can go, you can move on.
()
WITCH TWO WITCH ONE
WITCH TWO Babe, y’alright?
Drink some water.
WITCH ONE. Thanks.
WITCH TWO. The others are all done, getting some drinks.
You coming?
( )
Babe you know we can’t…
()
The smoke’s gonna…
WITCH ONE. I can’t stop looking at this one.
These stains.
WITCH TWO. Uh huh.
WITCH ONE. You ever think?
What’s in a stain?
WITCH TWO. Oxidation, I s’pose. Exposure.
WITCH ONE. No, man.
Where one thing meets another.
Imprints itself.
WITCH TWO. Yeah.
You sure you okay?
WITCH ONE. What do you reckon this spot here is?
This dark bit.
WITCH TWO. Blood?
WITCH ONE. I dunno. Blood, yeah.
Worse, maybe?
Soot.
–
Soot, yeah.
Fire.
–
Fire.
()
Horrible to think.
WITCH TWO. Yeah.
WITCH ONE. The heat of it.
The –
hopeless…
WITCH TWO. Cold in here.
WITCH ONE. You want to think it’s easy
y’know?
Surrendering to death.
Wanna think it’s a letting go.
But what about fire?
How do you surrender to fire?
No one surrenders to fire.
You writhe in it.
You scream, you feel it
cook you.
WITCH TWO. Fuck.
WITCH ONE. There’s no surrender with fire.
Is there?
Horrible to think someone…
Could do that to someone else.
Anyone.
–
When the fuck are we ever gonna stop
doing this shit to one another?
WITCH TWO. Let’s go, baby.
WITCH ONE. I wanna pray for this one.
One last one. Please?
WITCH TWO. Course.
GUARD ONE
GUARD ONE. Excuse me.
WITCH TWO. Fuck.
GUARD ONE. Sorry you can’t do that.
We’ve been watching you.
WITCH TWO. We’re done, we’re going.
Come on.
WITCH ONE
GUARD ONE. We closed an eye with the dancing and the flowers
in that other room
But this smoke stuff, that’s
WITCH TWO. Just incense
GUARD ONE. You try’na set off the fire alarm?
WITCH TWO. It’s not going to set off the
GUARD ONE. Yeah, no, it’ll –
Carbon monoxide detector.
Create a whole mess.
Ruin the art.
Put it out, please, and you’ve gotta –
WITCH ONE. Quiet.
GUARD ONE.
GUARD ONE. You’re disturbing the other –
WITCH ONE. ’S no one here.
–
GUARD ONE. Listen I’ve been watching you lot.
You can’t just –
I don’t want to have to remove you.
GUARD ONE WITCH ONE
WITCH TWO. Could you please not touch her.
Could you –
WITCH TWO GUARD ONE WITCH ONE
GUARD ONE. Fuck’s sake, put that –
WITCH TWO. ()
()
We’re
We’re…
We are Islington Witches for Radical Change
And we’re here to release the spirits in these objects
These / objects imprisoned here,
GUARD ONE. Guys… Guys…
WITCH TWO. against their will by the British Museum
Which is an institution of colonial violence
/ A repository of colonial violence
An archive of brutality!
GUARD ONE. () Guys I’m gonna need some help in Hall Six
Guys, come on.
I’m going to have to escort you both out of the premises.
GUARD ONE
WITCH TWO. These objects are prisoners!
The spirits within them are prisoners!
We are only here to say prayers
We are not touching the objects
We are peacefully demonstrating
Peacefully intervening…
()
We cast these spells and prayers
Words of release and worship
GUARD ONE
GUARD ONE. What the fuck?
GUARD TWO
GUARD TWO. What the FUCK?
GUARD ONE. JESUS FUCKING CHRIST
PUT THAT OUT NOW
WITCH ONE
WITCH ONE. FIRE.
FIRE.
DO YOU SEE
DO YOU HEAR
CAN YOU HEAR
CAN’T YOU HEAR US?
CAN’T YOU
DON’T YOU SEE US
DON’T YOU HEAR
SMELL US
CHOKING
IN HERE
FAT BOILING
UNDER OUR SKIN
WITCH ONE.
FIRE.
FIRE.
GUARDS.
GUARDS WITCHES
WITCH ONE WITCH TWO
WITCH TWO. Let her go!
Don’t touch her!
We are peacefully demonstrating
We are calling for the return of
of
HUMAN REMAINS
FUCK’S SAKE
HUMAN REMAINS
STOLEN –
RELIGIOUS OBJECTS
PEOPLE’S
GODS
WHAT THE FUCK IS WRONG WITH YOU PEOPLE?!
We are not resisting!
Fuck the police!
GUARD ONE. We’re not police.
WITCH TWO. FUCK THE BRITISH MUSEUM.
WITCHES
GUARDS
–
–
–
GUARD ONE. Finally.
Y’alright?
GUARD TWO. () Jesus.
GUARD ONE. Every week some new freakshow, huh?
() Yup they’ve been removed.
Come on.
GUARD TWO. Gives me chills, this place.
GUARD ONE. Hey?
GUARD TWO. Proper chills.
GUARD ONE. Oi.
GUARD TWO. Proper fucking chills.
GUARD TWO GHOSTS YOUNG SOLDIER




