Thompson Punk Productions

Unfinished Business
1. Auflage 2012
ISBN: 978-0-7914-8460-9
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 228 Seiten

Reihe: SUNY series, INTERRUPTIONS: Border Testimony(ies) and Critical Discourse/s

A history and social psychology of punk music.

Autoren/Hrsg.

Thompson, Stacy

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur

Inhaltsverzeichnis

Acknowledgments
Abbreviations and Acronyms
Introduction You Are Not What You Own
Anti-Capitalism
Punk: A Provisional Definition
A Desiring Punk/Punk Desire
1. Let's Make a Scene
The New York Scene
The English Scene
California Hardcore Scene
Washington, D.C. Hardcore Scene (First Wave Straight Edge)
New York Hardcore Scene (Second Wave Straight Edge)
Riot Grrrl Scene
The Berkeley/Lookout! Pop-Punk Scene
Conclusions
2. Punk Aesthetics and the Poverty of the Commodity
Punk Versus the Commodity
Crass Commodities
A Profane Existence
Aesthetic Profanity
Economic Profanity
CrimethInc.
From Crass to Profane Existence to CrimethInc. and Beyond
3. Punk Economics and the Shame of Exchangeability
The Punk Commodity
The Two Poles of the Commodity
Collecting Punk/Punk Collecting
Viva la Vinyl
Displaced Labor
The Good Side of the Commodity
4. Market Failure: Punk Economics, Early and Late
Early Punk Economics
Late Punk Economics
Dischord Records and Fugazi
Lookout! Records
The Failure/Success of Dischord, Fugazi, and Lookout!
5. Screening Punk
Punk Cinema?
The Punk Marquee: What's Showing?
At the Bijoux: Rude Boy
In the Mall Cineplex: Fight Club
Dénouement
Epilogue: Beyond Punk Punk's Not Dead
Notes
References
Index

Über Autor(innen)

Stacy Thompson is Assistant Professor of Critical Theory and Cinema Studies at the University of Wisconsin at Eau Claire.