The Sonic Surrogate

Music, Technology, and the Crisis of Reproduction
1. Auflage 2026
ISBN: 978-0-520-43364-9
Verlag: University of California Press

Buch, Englisch, Band 11, 294 Seiten, Cloth Over Boards, Format (B × H): 161 mm x 235 mm, Gewicht: 602 g

Reihe: California Studies in Music, Sound, and Media

Interrogating the proliferation of audio apps, smart speakers, sleep aids, and prenatal sound systems that promise a better life through sound, this book explores how these technologies came to be promoted as a cheap solution for capitalism’s inevitable crisis of reproduction. Marie Thompson shows how—at a time when, for many, accessing and providing care are increasingly under pressure—sound and music are sold as tools to support caregiving, childrearing, domestic management, and pregnancy. Connecting this phenomenon to shifting gendered, racial, and global divisions of labor, the making of the modern family, the changing political economy of music, and evolving discourses of automation, The Sonic Surrogate sheds light on the many reproductions implicated in sound reproduction.

Autoren/Hrsg.

Thompson, Marie

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Feminismus, Feministische Theorie
• Technische Wissenschaften Sonstige Technologien | Angewandte Technik Akustik, Tontechnik
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Über Autor(innen)

Marie Thompson is Senior Lecturer in Popular Music at The Open University. She is the author of Beyond Unwanted Sound: Noise, Affect and Aesthetic Moralism.