Van Tuinen Art History after Deleuze and Guattari

Erscheinungsjahr 2018
ISBN: 978-94-6166-242-2
Verlag: Leuven University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 280 Seiten

At the crossroads of philosophy, artistic practice, and art history
Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from all three fields explore what a ‘Deleuzo-Guattarian art history’ could be today.

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
ContributorsÉric Alliez (Kingston University, Université Paris VIII), Claudia Blümle (Humboldt Universität zu Berlin), Jean-Claude Bonne (École des Hautes Études en Sciences Sociales), Ann-Cathrin Drews (Humboldt Universität zu Berlin), James Elkins (School of the Art Institute of Chicago), Sascha Freyberg (Max Planck Institute for the History of Science), Antoine l’Heureux (independent researcher), Vlad Ionescu (Hasselt University), Juan Fernando Mejía Mosquera (Pontificia Universidad Javeriana), Gustavo Chirolla Ospina (Pontificia Universidad Javeriana), Bertrand Prévost (Université Bordeaux Montaigne), Elisabeth von Samsonow (Akademie für bildende Künste Wien), Sjoerd van Tuinen (Erasmus University Rotterdam), Kamini Vellodi (Edinburgh College of Art), Stephen Zepke (independent researcher)

Autoren/Hrsg.

Van Tuinen, Sjoerd

Weitere Mitwirkende

Zepke, Stephen

Alliez, Eric

Blümle, Claudia

Bonne, Jean Claude

Drews, Anne-Cathrin

Elkins, James

Freyberg, Sascha

L'Heureux, Antoine

Ionescu, Vlad

Mejía Mosquera, Juan Fernando

Chirolla Ospina, Gustavo

Prévost, Bertrand

von Samsonow, Elisabeth

Vellodi, Kamini

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte

Inhaltsverzeichnis

Introduction: Art History After Deleuze and Guattari Sjoerd van Tuinen and Stephen Zepke

Remake/Remodel: Strategies of Reading Art Historians Vlad Ionescu

Egon Schiele: Vitalist Deleuzian Elisabeth von Samsonow

The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images James Elkins

Rhythm and Chaos in Painting: Deleuze’s Formal Analysis, Art History, and Aesthetics after Henri Maldiney Claudia Blümle

Deleuze and Didi-Huberman on Art History Gustavo Chirolla and Juan Fernando Mejía Mosquera

Colliding Chaoïds in Iconology Sascha Freyberg

The Image and the Problem of Expression: Towards an Aesthetic Cosmology Bertrand Prévost

The Late and the New: Mannerism and Style in Art History and Philosophy Sjoerd van Tuinen

Tintoretto’s Michelangelo: An Artistic Diagram as the a priori of Art History Kamini Vellodi

Painting Machines, “Metallic Suicide” and Raw Objects: Deleuze and Guattari’s Anti-Oedipus in the context of French Post-War Art Ann-Cathrin Drews

The Buren Times Éric Alliez with the collaboration of Jean-Claude Bonne

‘A work of art does not contain the least bit of information’: Deleuze and Guattari and Contemporary Art Stephen Zepke

Art’s Utopia: The Geography of Art against (its) History Antoine L’Heureux

About the authors

Über Autor(innen)

Zepke, Stephen
Stephen Zepke is an independent researcher living in Vienna. He is the author of Sublime Art: Towards an Aesthetics of the Future (2017) and Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (2005). He is the co-editor (with Simon O’Sullivan) of Deleuze, Guattari and the Production of the New (2008) and Deleuze and Contemporary Art (2010).

Van Tuinen, Sjoerd
Sjoerd van Tuinen is assistant professor of philosophy at Erasmus University Rotterdam, where he is also Co-Founder of the Erasmus Institute for Public Knowledge. He is (co-)editor of 'Deleuze and the Fold. A Critical Reader' (2010), 'Deleuze and the Passions' (2016), and 'Speculative Art Histories' (2017).