Histories of Heinrich Schütz

Erscheinungsjahr 2016
ISBN: 978-0-521-19765-6
Verlag: Cambridge University Press

Buch, Englisch, 266 Seiten, Format (B × H): 175 mm x 250 mm, Gewicht: 644 g

Reihe: Musical Performance and Reception

Bettina Varwig places the music of the celebrated Dresden composer Heinrich Schütz in a richly detailed tapestry of cultural, political, religious and intellectual contexts. Four key events in Schütz's career – the 1617 Reformation centenary, the performance of his Dafne in 1627, the 1636 funeral composition Musikalische Exequien and the publication of his motet collection Geistliche Chormusik (1648) – are used to explore his music's resonances with broader historical themes, including the effects of the Thirty Years' War, contemporary meanings of classical mythology, Lutheran attitudes to death and the afterlife as well as shifting conceptions of time and history in light of early modern scientific advances. These original seventeenth-century circumstances are treated in counterpoint with Schütz's fascinating later reinvention in nineteenth- and twentieth-century German musical culture, providing a new kind of musicological writing that interweaves layers of historical inquiry from the seventeenth century to the present day.

Autoren/Hrsg.

Varwig, Bettina

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Barock (ca. 1600-1750)

Inhaltsverzeichnis

Introduction; 1. Trumpets and drums (Psalmen Davids, 1617); Paraphrase 1. Lutheran Schütz; 2. Echoes, mirrors and masks (Dafne, 1627); Paraphrase 2. Operatic Schütz; 3. Life, death and afterlife (Musikalische Exequien, 1636); Paraphrase 3. Monumental Schütz; 4. Old and new worlds (Geistliche Chormusik, 1648); Paraphrase 4. Rhetorical Schütz; Conclusion.

Über Autor(innen)

Varwig, Bettina
Bettina Varwig is a music historian with wide-ranging interests in early modern European culture. She has held fellowships at Magdalen College, Oxford and the University of Cambridge, and is now a lecturer at King's College London. She has published widely on the music of Heinrich Schütz and J. S. Bach. This is her first book.