Wessels / Merrington / Hanchard Film audiences

Personal journeys with film
1. Auflage 2022
ISBN: 978-1-5261-5784-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: PC/MAC/eReader/Tablet

E-Book, Englisch, 304 Seiten

This book is paradigm-shifting in the study of film audiences. It develops new theory on audiences as a process and new methodology for studying audiences based on extensive new empirical data on audiences.

Autoren/Hrsg.

Wessels, Bridgette

Merrington, Peter

Hanchard, Matthew

Forrest, David

Weitere Mitwirkende

Team, the Beyond the Multiplex

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaften: Allgemeines Enzyklopädien, Nachschlagewerke, Wörterbücher
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

1 Introduction: understanding contemporary film audiences
2 Understanding audiences: conceptualising and analysing film audiences
3 Film audiences in English regions: research context and methodology
4 Film provision: film policy and film distribution
5 Geographies of film provision: places, venues and screens
6 Personal film journeys: engaging with film during the lifecourse
7 Finding and sharing meaning in specialised films
8 Five types of audience experiences: relations and interactions amongst audiences, films and screens
9 The audience as a process: concepts, relations and interactions
10 Conclusion: audience as a process – personal film journeys, regional film provision and lived film experience
Index

Über Autor(innen)

Bridgette Wessels is Professor of Social Inequality at the University of Glasgow
Peter Merrington is Lecturer in the Business of the Creative and Cultural Industries at the University of York
Matthew Hanchard is Research Associate in Sociology at the University of Sheffield
David Forrest is Professor of Film and Television Studies at the University of Sheffield