BEYOND A LOVE SUPREME

Erscheinungsjahr 2013
ISBN: 978-0-19-973323-1
Verlag: OXFORD UNIV PR

Buch, Englisch, 176 Seiten, Format (B × H): 161 mm x 238 mm, Gewicht: 382 g

Recorded by his quartet in a single session in 1964, John Coltrane's A Love Supreme is widely considered one of the greatest jazz albums of all time. A significant record of Coltrane's transition from the bebop and hard bop of his earlier recordings to the free jazz style perfected throughout the rest of his career, the album is also an embodiment of the deep spirituality that characterized the final years of his life. The album itself comprises a four-part
suite; the titles of the four parts - "Acknowledgment," "Resolution," "Pursuance," and "Psalm" - along with the poem Coltrane composed for inclusion in the liner notes, which he "recites" instrumentally in "Psalm" reflect the religious aspect of the album, a quality that contributes to its mystique and
symbolic importance within the canon of seminal jazz recordings.
In Beyond A Love Supreme, author Tony Whyton explores both the musical aspects of A Love Supreme, and the album's seminal importance in jazz history. Using criticism of late Coltrane recordings as a starting point, Whyton suggests ways of listening to these recordings that can be considered outside the conventional ideologies of mainstream jazz practice. Beyond A Love Supreme concludes with a study of the broad musical and cultural impact of the album, examining the
relationship between the recording and music, literature, poetry and film.
An essential addition to the library of jazz musicians and aficionados of all levels, Beyond A Love Supreme is also an indispensible resource for the jazz scholar.

Autoren/Hrsg.

Whyton, Tony

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Geisteswissenschaften Musikwissenschaft Musikgattungen Jazz
• Geisteswissenschaften Musikwissenschaft Musikinstrumente Blasinstrumente

Über Autor(innen)

Tony Whyton is Professor of Jazz and Musical Cultures in the School of Media, Music and Performance at the University of Salford. He is the author of Jazz Icons: Heroes, Myths, and the Jazz Tradition (Cambridge 2010), he is the founding editor of the international journal The Source: Challenging Jazz Criticism, and is currently co-editor of the Jazz Research Journal (Equinox).