Buch, Englisch, 208 Seiten, Print PDF, Format (B × H): 155 mm x 231 mm, Gewicht: 340 g
Buch, Englisch, 208 Seiten, Print PDF, Format (B × H): 155 mm x 231 mm, Gewicht: 340 g
ISBN: 978-0-19-763172-0
Verlag: Oxford University Press
InMobilizing Music in Wartime British Film,author Heather Wiebe traces a preoccupation with art music and total war that animated British films of the 1940s. In acclaimed films such asThe Red ShoesandBrief Encounteras well as experimental documentaries, colonial propaganda films, and largely forgotten melodramas, music was persistently given a central role in the action. As this book demonstrates, these films were driven by questions around the efficacy of art music, not just in the conventional sense of uplift or morale-building, but as a sonic force acting on bodies, minds, and materials, and as a resource to be mobilized or demobilized. Wiebe explores what these films tell us about the experience of World War Two, but also about more contemporary pressures on the arts to be useful and productive. In their concerns with music and wartime life away from the battle front, these films offer insight into the affective experience of war: not just as violence and trauma, but as everyday boredom and melancholy, as loneliness, helplessness, and disappointment. Most of all, they show how music was used to test the limits of "total war," and to conceptualize its new reach into all corners of life
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
- Introduction
- 1. Music, Feeling, and Total War: Listen to Britain and Millions Like Us
- 2. “A Classic of the Masses:” The Warsaw Concerto and Dangerous Moonlight
- 3. Recuperating Selfhood: Love Story and Men of Two Worlds
- 4. Sounding Out Civilian Trauma: The Seventh Veil and Brief Encounter
- 5. Possessed by Music: The Glass Mountain and The Red Shoes
- Filmography
- Bibliography
- Index
