Worley | No Future Anniversary Edition | Buch | 978-1-009-66128-7 | www.sack.de

Buch, Englisch, 406 Seiten

Worley

No Future Anniversary Edition

Punk, Politics and British Youth Culture, 1976-1984
2. Revised Auflage 2026
ISBN: 978-1-009-66128-7
Verlag: Cambridge University Press

Punk, Politics and British Youth Culture, 1976-1984

Buch, Englisch, 406 Seiten

ISBN: 978-1-009-66128-7
Verlag: Cambridge University Press


'No Feelings', 'No Fun', 'No Future'. The years 1976 to 1984 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Rejecting both tired clichés and nostalgic myths, Matthew Worley provides the definitive account of how punk was constructed and utilised from the ground up. He takes youth culture seriously as a way of understanding history, demonstrating how punk not only reflected but directly impacted social and political history through its unique ability to provoke, disrupt and subvert. This revised and updated edition marks fifty years since the birth of punk and includes a new foreword from acclaimed music journalist, Paul Morley. It remains the foremost history of British punk.

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Weitere Infos & Material


Foreword; Introduction; Teenage warning: punk, politics and youth culture; 1. What's this for? Punk's contested meanings; 2. Rock and roll (even): punk as cultural critique; 3. Tell us the truth: reportage, realism and abjection; 4. Suburban relapse: the politics of boredom; 5. Who needs a parliament? Punk and politics; 6. Anatomy is not destiny: punk as personal politics I; 7. Big Man, Big M.A.N: punk as personal politics II; 8. No future: punk as dystopia; Conclusion; Alternatives: chaos and finish; List of figures; Acknowledgements; Bibliography; Index.


Worley, Matthew
Matthew Worley is Professor of Modern History at the University of Reading. He has written widely on punk-related cultures in various journals and is the author of Zerox Machine: Punk, Post-Punk and Fanzines in Britain, 1976–88 (2024).



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