Cartwright Moral Spectatorship

Technologies of Voice and Affect in Postwar Representations of the Child
1. Auflage 2008
ISBN: 978-0-8223-8925-5
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 298 Seiten

Lisa Cartwright contributes to feminist film theory by developing a new psychoanalytic theory of spectatorship and human subjectivity.

Autoren/Hrsg.

Cartwright, Lisa

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Feminismus, Feministische Theorie

Inhaltsverzeichnis

Acknowledgments ix

Introduction: Spectatorship, Affect, and Representation 1

1. Moral Spectatorship: Rethinking Identification in Film Theory 11

2. The (Deaf) Woman's Film and the Quiet Revolution in Film Sound: On Projection, Incorporation, and Voice 51

3. "A Child Is Being Beaten": Disorders of Authorship, Agency, and Affect in Facilitated Communication 157

Conclusion: On Empathy and Moral Spectatorship 229

Notes 241

References 255

Index 281

Über Autor(innen)

Lisa Cartwright is Professor of Communication and Science Studies and a faculty member in Critical Gender Studies at the University of California, San Diego. She is the author of Screening the Body: Tracing Medicine’s Visual Culture, a coauthor of Practices of Looking: An Introduction to Visual Culture, and a coeditor of The Visible Woman: Imaging Technologies, Gender and Science.