Internet Vulgarities in China

Cultures, Governance and Politics
1. Auflage 2026
ISBN: 978-90-485-6358-6
Verlag: Routledge

Buch, Englisch, 256 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 555 g

Reihe: Asian Visual Cultures

Internet Vulgarities in China is the first comprehensive study to critically examine the cultures, governance and politics of internet vulgarities in Chinese society. Comprising twelve chapters, the authors present empirically rich case studies to explore the nature, regulation and evolution of the internet cultural products, vernacular internet cultures and subcultural online communities which have been officially deemed ‘vulgar’ by the state, official media and policy documents.

From ‘vulgar’ online music, internet literature, memes, web dramas, influencers, video games to online fandoms, this timely book demonstrates that the disciplinary power of China’s ‘anti-vulgarity’ campaigns stems from the state’s strategic use of the ambiguous concept of ‘vulgarity’ to judge and regulate the aesthetic and ethical dimensions of popular digital media cultures. This process of turning language into law—a form of linguistification of rule—functions as a key technique of digital and cultural governance, ensuring that these cultures evolve in accordance with the ideological, moral and cultural values of the party-state.

Internet Vulgarities in China will make a significant contribution to the fields of China’s digital media studies, popular culture studies, internet and cultural governance. It is an essential resource for scholars, researchers and students seeking a critical understanding of China’s digital media cultures and its governance and politics.

Zielgruppe

Academic

Autoren/Hrsg.

Xu, Jian

Zhang, Dino Ge

Fachgebiete

• Mathematik | Informatik EDV | Informatik Digital Lifestyle Internet, E-Mail, Social Media
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Sozialwissenschaften Ethnologie | Volkskunde Volkskunde Historische & Regionale Volkskunde

Inhaltsverzeichnis

1. (Introduction): Judgement of ugliness: The politics of ‘anti-vulgarity’ in China’s media and cultural governance  Part I: Internet Cultural Products  2. Messy realities and power secrecy: Contested and persistent presences of vulgarities in the governance of Chinese web novels  3. Legitimising musical taste: ‘Vulgar internet songs’ from ‘Mice loves rice’ to PG-One 4. Boy’s love as ‘vulgar’ culture? The discourse of anti-boys’ love and the cis-heteronormative governance against BL-adapted web dramas in China 5. Vulgar spirits of games and play from state to society: An alternative history of videogames in China  Part II: Vernacular Internet Cultures  6. ‘Toxic Chicken Soup’ as a genre: The dialectics of hope and its governance on We Media  7. Ball-ache, dick hair and serial cunt words: The role of vulgarity in Chinese internet language  8. Negativity as vulgar? The rise of self-mockery culture and its governance  9. In search of the opposite of the canonical: eGao Red Classics and its regulation  Part III: Subcultural Online Communities  10. Vulgarising a subaltern taste on Chinese social media: The rise and fall of hanmai rap and social shake dance  11. Eroticised internet celebrity and vulgarity in China: The case of Aoi Sola  12. ‘Chasing idols in a rational way’: Governing toxic ‘fan circle’ culture in China

Über Autor(innen)

Jian Xu is Associate Professor in Communication, Deakin University, Australia. He researches Chinese digital media and celebrity studies using critical approaches. He is Editor-in-Chief of Communication Research and Practice, official journal of the Australian and Aotearoa New Zealand Communication Association (AANZCA). He is the Series Editor of Asian Celebrity and Fandom Studies with Bloomsbury Academic.

Dino Ge Zhang is a media anthropologist and Assistant Professor at the School of Creative Media, City University of Hong Kong. His current research primarily focuses on socio-technical, aesthetic and affective dimensions of contemporary internet cultures/arts in the Sinophone world. He is the Founding Editor of the Bureau of Low Theory, a web database dedicated to internet culture and underground theory from China.