Yapp Minor China

Method, Materialisms, and the Aesthetic
1. Auflage 2021
ISBN: 978-1-4780-1306-8
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 287 Seiten

Reihe: ANIMA: Critical Race Studies Otherwise

Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of the predominant narratives that currently frame understandings of non-Western art.

Autoren/Hrsg.

Yapp, Hentyle

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik
• Geisteswissenschaften Kunst Kunststile Asiatische Kunst
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert

Inhaltsverzeichnis

List of Illustrations vii
Acknowledgments ix
Introduction 1
1. We're Going to Party Like It's 1989: Proper China, Interdisciplinarity, and the Global Art Market 37
2. All Look Same: Ai Weiwei's Multitudes, Comrade Aesthetics, and Racial Anger in a Time of Inclusion 70
3. Minoring the Universal: Affect and the Molecular in Yan Xing's Performances and Liu Ding, Carol Lu, and Su Wei's Curation as Art Practice 103
4. Minor Agencies: Reformulating Demystification and Performativity through the Works of Zhang Huan, He Chengyao and Cao Fei 141
5. Tout-Monde and the Minor: The Cinematic and Theatrical Chinese Woman in Isaac Julien's Ten Thousand Waves 176
Afterword. For Those Minor in and to China: Protests in Hong Kong and Samson Young in Venice 208
Notes 223
Bibliography 245
Index 261

Über Autor(innen)

Hentyle Yapp is Assistant Professor of Art and Public Policy at New York University and coeditor of Saturation: Race, Art, and the Circulation of Value.