Yust | Organized Time | Buch | 978-0-19-069648-1 | www.sack.de

Buch, Englisch, 440 Seiten, Format (B × H): 183 mm x 260 mm, Gewicht: 1010 g

Reihe: Oxford Studies in Music Theory

Yust

Organized Time

Rhythm, Tonality, and Form
Erscheinungsjahr 2018
ISBN: 978-0-19-069648-1
Verlag: OXFORD UNIV PR

Rhythm, Tonality, and Form

Buch, Englisch, 440 Seiten, Format (B × H): 183 mm x 260 mm, Gewicht: 1010 g

Reihe: Oxford Studies in Music Theory

ISBN: 978-0-19-069648-1
Verlag: OXFORD UNIV PR


Organized Time is the first attempt to unites theories of harmony, rhythm and meter, and form under a common idea of structured time. Building off of recent advances in music theory in essential subfields-rhythmic theory, tonal structure, and the theory of musical form-author Jason Yust demonstrates that tonal music exhibits similar hierarchical organization in each of these dimensions. Yust develops a network model for temporal structure with an application
of mathematical graph theory, which leads ultimately to musical applications of a multi-dimensional polytope called the associahedron. A wealth of analytical examples includes not only the familiar tonal canon-J.S. Bach, Mozart, Schumann-but also lesser known masters of the musical Enlightenment such as
C.P.E. and J.C. Bach, Boccherini, and Johann Gottlieb Graun.

Yust's approach has wide-ranging ramifications across music theory, enabling new approaches to musical closure, hypermeter, formal function, syncopation, and rhythmic dissonance, as well as historical observations about the development of sonata form and the innovations of Haydn and Beethoven. Making a forceful argument for the independence of musical modalities and for multivalent a approach to music analysis, Organized Time establishes the aesthetic importance of structural
disjunction, the conflict of structure in different modalities, in numerous analytical contexts.

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Autoren/Hrsg.


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Jason Yust is Assistant Professor of Music Theory at Boston University. Born in St. Louis, Missouri, he received a BA in Music at Brown University and a PhD in Music Theory from the University of Washington. His research interests include mathematical theories of harmonic space; metrical, tonal, and formal structure in tonal music; and music perception and cognition.



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