Creative Perspectives on Sound

Theory, Performance, and Technology
Erscheinungsjahr 2027
ISBN: 978-981-9264-63-6
Verlag: Springer

Buch, Englisch, 139 Seiten, Format (B × H): 155 mm x 235 mm

Reihe: Creative Research in Arts and Technology in Asia

This book offers an innovative exploration of creativity across music, performance, and digital arts, bridging tradition with technology and cultural theory. It approaches the subject through interdisciplinary lenses—combining music analysis, feminist critique, computational creativity, and cultural identity studies—to reveal how artistic practices evolve in response to global and technological shifts. What sets this book apart is its integration of diverse methodologies: from teleological analysis of post-tonal composition and feminist interpretation in Chinese opera, to digital fabrication of folk instruments and AI-driven animation design. These chapters collectively demonstrate how traditional aesthetics negotiate with modernity, and how technology can preserve, transform, and project cultural narratives. The scope spans musicology, performance studies, digital media, and cultural theory, making it ideal for scholars, educators, and advanced students in the arts and humanities. Readers gain insights into cross-cultural synthesis, algorithmic creativity, and the structural dynamics of contemporary composition.

Zielgruppe

Research

Autoren/Hrsg.

Zamani, Mohd Fairuz

Ying, Loo Fung

Fachgebiete

• Mathematik | Informatik EDV | Informatik Angewandte Informatik Computeranwendungen in Geistes- und Sozialwissenschaften
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

Negotiating and Reimagining Tradition: Digital Fabrication of the Shakuhachi for Educational Use.- Reimagining Yang Guifei: Feminist Expression and Cross-Cultural Synthesis in Jin Xiang’s Western-Style Chinese Opera.- Two Paths to a Goal: A Teleological Analysis of Creative Revision in Razak Abdul Aziz’s For Violin and Piano (1982 & 2019).- Malaysian Animation Character Design: The Formation of Regional Identity.- Searching for Traditional Samogitian Scale in Fiddle and Saw Playing.- Searching for Traditional Samogitian Scale in Fiddle and Saw Playing.- Musicanatomy: Studying Anatomy with Songs.

Über Autor(innen)

Mohd Fairuz Zamani is an internationally recognized Malaysian pianist, composer, and scholar whose work bridges Southeast Asian musical identity with global artistic standards. He is Deputy Dean of Postgraduate, Research, and Innovation at Universiti Malaya’s Faculty of Creative Arts, where he leads research on contemporary Malaysian composition and analytical methodologies for regional music. A laureate of the Conservatoire International de Musique de Paris, Fairuz is an active performer and adjudicator on international stages. His compositions and arrangements have been featured in major cultural platforms, and as a member of the Malaysian Composers Collective, he continues to champion innovative works that resonate globally. His leadership in research and performance positions him as a key voice in advancing creative arts scholarship in Asia and beyond.

Loo Fung Ying is Associate Professor of Cultural Musicology and Dean of the Faculty of Creative Arts at Universiti Malaya. Her research spans cultural musicology, performance practice, popular music, and interdisciplinary studies on music, movement, and perception. She has published widely in leading international journals and serves on editorial boards including eTropic and Media Watch. A recipient of multiple research grants and awards, she has held key leadership roles in postgraduate research, accreditation panels, and national research assessment. Her work bridges scholarship and practice, advancing global discourse on music, culture, and embodiment.