Affron A Stage For Poets

Studies in the Theatre of Hugo and Musset
1. Auflage 2015
ISBN: 978-1-4008-6694-6
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 1474, 276 Seiten

Reihe: Princeton Essays in LiteraturePrinceton Legacy Library

In the nineteenth century, the French lyric poets imposed their diction on the theatrical genre and thus illuminated the essence of both poetry and theatre. Ten plays by Victor Hugo, the standard-bearer of the French romantic theatre, and Alfred de Musset, the romantic playwright most frequently performed in France today, are analyzed by Charles Affron to answer the question, "Can the dialetic form of the theatre accommodate the solitary élan of the lyric poet?"

As a functional point of departure, he considers those characteristics of lyric poetry—time, voice, and metaphor—which bring us closest to the singular attitudes of Hugo and Musset. Then, examining the texts of Hernani, Les Burgraves, Torquemada, Fantasio, and Lorenzaccio as well as several lesser known plays, Mr. Affron discusses such topics as poetic time, the scope of analogy, theatrical and poetic rhetoric, the guises of the poet-hero, and the manner of sounding the poet's voice upon the stage.

Originally published in 1971.

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Autoren/Hrsg.

Affron, Charles

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker

Inhaltsverzeichnis

Frontmatter, pg. i
Preface, pg. vii
Contents, pg. ix
Illustrations, pg. xi
One. Introduction: The Problem of a Poetic Theatre, pg. 1
Two. The Time of the Lyric: Hernani, pg. 21
Three. The Time of the Epic: Les Bur Graves, pg. 62
Four. Lyric Echoes: Nostalgia And Parody Torquemada And Mangeront-Us?, pg. 83
Five. Analogy and Sentiment: La Nuit Venitienne and Andre Del Sarto, pg. 116
Six. From Rhetoric to Poetry: Les Caprices De Marianne, pg. 128
Seven. The Order of Poetry: Fantasio, pg. 150
Eight. Time and Identity: On Ne Badine Pas Avec Xamour, pg. 176
Nine. Heroism and Art: Lorenzaccio, pg. 199
Ten. Conclusion, pg. 226
Appendix, pg. 229
A Selected Bibliography, pg. 239
Index, pg. 243