Buch, Englisch, Band 2, 367 Seiten, Format (B × H): 16 mm x 23 mm
Selected papers from the Second International Beckett Symposium held in The Hague, 8-12 April, 1992
Buch, Englisch, Band 2, 367 Seiten, Format (B × H): 16 mm x 23 mm
Reihe: Samuel Beckett Today / Aujourd'hui
ISBN: 978-90-5183-566-3
Verlag: Editions Rodopi
Fachgebiete
Weitere Infos & Material
Marius BUNING and Lois OPPENHEIM: Introduction. Ruby COHN: Ghosting through Beckett. Martin ESSLIN: What Beckett Teaches Me: His Minimalist Approach to Ethics. Laura CERRATO: Postmodernism and Beckett's Aesthetics of Failure. E.M. KNOTTENBELT: Samuel Beckett: Poetry as Performative Act. Adam PIETTE: Beckett, Early Neuropsychology and Memory Loss: Beckett's Reading of Clarapède, Janet and Korsakoff. Werner HUBER: Godot, Gorba, and Glasnost: Beckett in East Germany. Shaheen M. MAHMOOD: Beckett in Bangladesh. Bruno CLÉMENT: Vladimir: La présence d'Ivan Tourgueniev dans l'oeuvre de Samuel Beckett. Steven PRICE: Accursed Progenitor: Samuel Beckett, David Mamet, and the Problem of Influence. Catharina WULF: Desire for the Other: Obsession as Failure / Failure as Obsession. Beckett's Krapp's Last Tape and Bernard's Minetti. Jane HALE: Framing the Unframable: Samuel Beckett and Francis Bacon. Richard RIJNVOS: What it is Like Together?: Genesis of the First Production of Beckett's Radio 1. Danièle de RUYTER-TOGNOTTI: Le Monde et le Pantalon: Miroir de la poétique beckettienne. Brian T. FITCH: Beckett's Literary Cathedrals: Speculation on Beckett's Achievement as a Writer of Prose Fiction. Charles KRANCE: Traces of Transtextual Confluence and Bilingual Genesis: A Piece of Monologue and Solo for Openers. Yves THOMAS: Traduire l'Effacement: Notes sur la traduction de Comment c'est. Antonio BALLESTEROS GONZÁLEZ: Beckett's Rockaby in three Spanish Translations. Vered HAREL: L'Universalité chez Beckett - Tentative et Echec: On n'est pas issu d'un roc. Magessa O'REILLY: Demonter le Roman: Anti-récit, anti-prose, anti-mot. Chris ACKERLEY: Fatigue and Disgust: The Addenda to Watt. Paul LAWLEY: First Love: Passage and Play. Gerry DUKES: Quarrying the Trilogy. José CARNERO-GONZÁLEZ: Silence in Beckett: The Unnameble - A Hinge Work. Mary CATANZARO: Song and Improvisation in Lessness. Sjef HOUPPERMANS: Chutes sans fin dans Pour finir encore. Pia BRINZEU: Without A Word: Pauses in Beckett's Drama. Matthijs ENGELBERTS: Le Pantalon Bousille: Spécificité des genres dans le 'théâtre narratif' de Beckett. Dina MANTCHÉVA: Les elements paraverbaux dans la forme theatrale de Beckett. Klaus Peter MÜLLER: More than Just Play: The Creation of 'Fabulous History' in Beckett's Plays. Rosemary POUNTNEY: Embers: An Interpretation. Anurag SHARMA: Waiting for Godot: A Beckettian Counterfoil to Kierkegaardian Existentialism. Nursel I_ÖZ: Repetition and Difference in Beckett's Work. Geneviève CHEVALLIER: De La derniere Bande comme Bobine: Une mise en scène de la compulsion de répétition. Clas ZILLIACUS: Act without Words 1 as Cartoon and Codicil. Marek KEDZIERSKI: Texts for Performance: Beckett's Late Works and the Question of Dramatism, Performability and Genre. Patricia HOWARD: Not Mercies / Not I. Minako OKAMURO: Theatre as Magnetic Field: A Study of Footfalls. Alan ROSEN: Ends and Means: Catastrophe in the Context of Dramatic Form and Theory. Hans H. HIEBEL: Quadrat 1 + 2 as a Television Play. Adriaan van der WEEL and Ruud HISGEN: Unheard Footfalls only Sounds: neither in Translation.
