Christensen / Gouk / Geay Towards Tonality

Aspects of Baroque Music Theory
01. Auflage 2007
ISBN: 978-94-6166-097-8
Verlag: Leuven University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 6, 205 Seiten

Reihe: Geschriften van het Orpheus Instituut/Collected Writings of the Orpheus Institute

This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era.

Autoren/Hrsg.

Christensen, Thomas

Gouk, Penelope

Geay, Gerard

McClary, Susan

Jans, Markus

Lester, Joel

Vanscheewijck, Marc

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Barock (ca. 1600-1750)

Inhaltsverzeichnis

Thomas Christensen
Genres of Music Theory, 1650-1750

Penelope Gouk
Science and Music, or the Science of Music: Some Little-known Examples of "Music Theory" between 1650 and 1750

Gérard Geay
L'édition de la polyphonie française du 17e siècle

Susan McClary
Towards a History of Harmonic Tonality

Markus Jans
Towards a History of the Origin and Development of the Rule of the Octave

Joel Lester
Thoroughbass as a Path to Composition in the Early Eighteenth Century

Marc Vanscheeuwijck
Giovanni Paolo Colonna and Petronio Franceschini: Building Acoustics and Compositional Style in Late Seventeenth-Century Bologna

Personalia
Colophon

Über Autor(innen)

Christensen, Thomas
Thomas Christensen is Professor of Music and the Humanities at the University of Chicago.