Cone / Morgan Hearing and Knowing Music

The Unpublished Essays of Edward T. Cone
Course Book
ISBN: 978-1-4008-3046-6
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 240 Seiten

Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music's position in culture, musical aesthetics, the significance of opera as an art, setting text to music, the nature of twentieth-century harmony and form, and the practice of musical analysis. Fully matching the quality and style of Cone's published writings, these essays mark a critical addition to his work, developing new ideas, such as the composer as critic; clarifying and modifying older positions, especially regarding opera and the nature of sung utterance; and adding new and often unexpected insights on composers and ideas previously discussed by Cone. In addition, there are essays, such as one on Debussy, that lead Cone into areas he had not previously examined. Hearing and Knowing Music represents the final testament of one of our most important writers on music.

Autoren/Hrsg.

Cone, Edward T.

Morgan, Robert P.

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein

Inhaltsverzeichnis

List of Musical Examples ix

List of Tables xi

Acknowledgments xiii

Introduction 1

Part I: Aesthetics 7

Essay One: The Missing Composer 11

Essay Two: The Silent Partner 16

Essay Three: The Irrelevance of Tonality? 38

Essay Four: Hearing and Knowing Music 49

Part II: Opera and Song 61

Essay Five: Mozart's Deceptions 65

Essay Six: Siegfried at the Dragon's Cave: The Motivic Language of The Ring 80

Essay Seven: Schubert's Heine Songs 106

Part III: The Composer as Critic 117

Essay Eight: The Composer as Critic 121

Essay Nine: Schubert Criticizes Schubert 135

Part IV: Analysis 149

Essay Ten: Schubert's Symphonic Poem 153

Essay Eleven: Debussy's Art of Suggestion 159

Essay Twelve: Stravinsky at the Tomb of Rimsky-Korsakov 170

Essay Thirteen: Stravinsky's Version of Pastoral 181

Essay Fourteen: Stravinsky's Sense of Form 190

Published Works of Edward T. Cone 207

Index 211

Über Autor(innen)

Edward T. Cone (1917-2004) was professor emeritus of music at Princeton University, where he taught from 1947 until his retirement in 1985. He wrote two of the twentieth century's most influential books about Western music, Musical Forms and Musical Performance (Norton) and The Composer's Voice. Robert P. Morgan is professor emeritus of music at Yale University and the editor of Cone's Music: A View from Delft, a collection of previously published essays.