Crossley Connecting sounds

The social life of music
1. Auflage 2019
ISBN: 978-1-5261-2602-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: PC/MAC/eReader/Tablet

E-Book, Englisch, 224 Seiten

An original and compelling account of the social nature of music and its interplay with the wider society to which it belongs. Crossley explores the doing and meanings of music, as well as its interface with economic, political and wider social structures.

Autoren/Hrsg.

Crossley, Nick

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein

Inhaltsverzeichnis

1 Introduction
2 Music as Social Interaction: Embedded, Embodied and Multivalent
3 Economic Interactions: Capitalism, Industry and the Mainstream
4 Mainstream and Beyond: The Musical Universe and its Worlds
5 Musicking Networks: Nodes, Ties and Worlds
6 Semiotic Interactions: Meaning, Communication and Affect
7 Practical Interactions: Use, Taste, Identity
8 Division, Inequality and Taste: Musicking in Social Space
9 Political Interactions: Publics, Protest and the Avant-Garde
Discography
Bibliography

Über Autor(innen)

Crossley Nick:
Nick Crossley is Professor of Sociology at the University of ManchesterNick Crossley is Professor of Sociology and co-founder/co-director of the Mitchell Centre for Social Network Analysis at the University of Manchester