de Assis / Giudici Aberrant Nuptials

Deleuze and Artistic Research 2
Erscheinungsjahr 2019
ISBN: 978-94-6166-305-4
Verlag: Leuven University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 480 Seiten

Reihe: Orpheus Institute Series

More
volumes on 'Deleuze and Artistic Research':

- Machinic
Assemblages of Desire
- The
Dark Precursor (Two-Volume Set)

Unique focus on the relation between artistic research
and the philosophy of Gilles Deleuze
Aberrant Nuptials explores the
diversity and richness of the interactions between artistic research and
Deleuze studies. “Aberrant nuptials” is the expression Gilles Deleuze uses to
refer to productive encounters between systems characterised by fundamental
difference. More than imitation, representation, or reproduction, these
encounters foster creative flows of energy, generating new material
configurations and intensive experiences. Within different understandings of
artistic research, the contributors to this book—architects, composers,
film-makers, painters, performers, philosophers, sculptors, and writers—map
current practices at the intersection between music, art, and philosophy,
contributing to an expansion of horizons and methodologies. Written by
established Deleuze scholars who have been working on interferences between art
and philosophy, and by musicians and artists who have been reflecting Deleuzian
and Post-Deleuzian discourses in their artworks, this volume reflects the
current relevance of artistic research and Deleuze studies for the arts.

Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidad
de las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (Monash
University), Ronald Bogue (University of Georgia), Barbara Bolt (VCA University
of Melbourne), Peter Burleigh (University of Basel / HGK, Basel), Edward
Campbell (University of Aberdeen / Centre for Modern Thought), Marianna
Charitonidou (University of Paris West Nanterre / National Technical University
of Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (University
of Kent), Zornitsa Dimitrova (University of Münster), Lilija Duobliene (University
of Vilnius), Andrea Eckersley (RMIT
University), Lucia D’Errico (Orpheus Institute), Bracha L. Ettinger (artist,
painter, theorist), Henrik Frisk (Royal Academy of Music Malmö), jan
jagodzinski (University of Alberta), Oleg Lebedev (Université Catholique de
Louvain), Gustavo Penha (University of São Paulo), Katie Pleming (King’s
College London), Liana Psarologaki (University of Suffolk), Emilia Marra (University
of Trieste), Tero Nauha (Helsinki Collegium), Stefan Östersjö (Orpheus
Institute), Simon O’Sullivan (theorist, artist), Antonia Pont (Deakin
University), Elisabeth Presa (University of Melbourne), Spencer Roberts (University
of Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), Anne
Sauvagnargues (University of Paris Ouest Nanterre La Défense), Janae Sholtz (Alvernia
University), Steve Tromans (musician, independent researcher), Kamini Vellodi (University
of Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), Audrone
Žukauskaite (Lithuanian Culture Research Institute).

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Autoren/Hrsg.

de Assis, Paulo

Giudici, Paolo

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

Introduction

Paulo de Assis

Part 1: Sonic Nuptials: Sounds and Gestures of
Time

Deleuze’s
Syntheses of Time and Their Aesthetical Prolongations: Form, Style, and
Achievement

Jean-Marc Chouvel

When Sounds
Encounter One Another.

Zsuzsa Baross

Geomusic,
Ecosophy, and Molecular Oscillators

Ronald Bogue

East Meets
West in France: Catching the Musical Scent

Edward Campbell

Topography
of the (One): Reflections on Musical Time in Composition and Performance

Stefan Östersjö, Christer Lindwall, Jörgen Dahlqvist

In the
(Immanent) Event of Musical-Philosophical Thought

Steve Tromans

Music as a
Reservoir of Thought’s Materialisation: Between Metastaseis and Modulor

Marianna Charitonidou

Machinic
Propositions: Artistic Practice and Deterritorialisation

Henrik Frisk, Anders Elberling

A Ligetian
Way to Make a Piano (or a Piano Piece) Stutter

Gustavo Rodrigues Penha

When Time
Begins To Riot: Rhythm and Syncopation in the Work of Jonathan Burrows and
Matteo Fargion

Jonas Rutgeerts

Anne Teresa
De Keersmaeker: An Unbridled Activity of Vital Lines

Oleg Lebedev

Sonic Forms
of Capture

Terri Bird

Part 2: A Little Treatise on Becomology

The Wasp
and the Orchid: On Multiplicities and Becomology

Anne Sauvagnargues

Beyond the
Death-Drive, beyond the Life-Drive: Being-toward-Birthing with
Being-toward-Birth; Copoiesis and the Matrixial Eros—Metafeminist Notes

Bracha L. Ettinger

Thought
beyond Research: A Deleuzian Critique of Artistic Research

Kamini Vellodi

An
Avant-Garde “Without Authority”: The Posthuman Cosmic Artisan in the
Anthropocene

jan jagodzinski

Pure
Immanence and the Algorithmic Era: An Aberrant Nuptial

Emilia Marra

Mining the
Aesthetico-Conceptual: Deleuze, Derrida, and Artistic Research

Spencer Roberts

Experimenting
in Relation to the Anthropocene: An Image of Earth-Thought from a Symptomatic
Earth Line

Paolo Vignola

Logic of
Sens/ation: Two Conflicting Conceptions of Transdisciplinarity in Deleuze and
Guattari

Guillaume Collett

Listening
for a New Body: Thinking Change and Learning Reason with Difference and
Repetition and Spinoza: Practical Philosophy

Antonia Pont

Outside-Interior:

?Interior

Suzie Attiwill

Encountering
Fashion as a Practice of Subjectivation

Andrea Eckersley

A Theory of
Becoming: Artistic Spatio-Temporal Experiences after Gilles Deleuze, Alain
Badiou, and Brian Massumi

Liana Psarologaki

Part 3: A Garden of Small Nuptials: Images, Movement,
and Fabulations

Mythopoesis,
Fabulous Images, and Memories of a Sorcerer

Simon O’Sullivan

The
Philosopher as a Line: A Deleuzian Perspective on Drawing and the Mobile Image
of Thought

Janae Sholtz

For a
Future of the Face: Faciality and Performance in the Dance of Marlene Monteiro
Freitas

Lucia D’Errico

Elegy to an
Oz Republic: First Steps in a Ceremony of Invocation towards Reconciliation

Barbara Bolt

Sound and
Image in Artistic Flooding: Vladimir Tarasov, Bill Viola

Lilija Duobliene

Fictioning
a Thought of Performance

Tero Nauha

Milieus of
Locality: The Aesthetic of the Point of View

Sara Baranzoni

“A Life as
an Open Landscape”: Systems of Codetermination in Three Robotic Shows

Zornitsa Dimitrova

Interspecies
Sonification: Deleuze, Ruyer, and Bioart

Audrone Žukauskaite

Desire,
Temporality, “Liquid Perception”: Deleuze and the Films of Marguerite Duras

Katie Pleming

Photogenesis—Brokering
World

Peter Burleigh

Sculpture
Installation: Garden of Small Nuptials

Elizabeth Presa

Appendix

Notes on
Contributors

Index

Über Autor(innen)

Giudici, Paolo
Paolo Giudici is an artist-researcher and associated researcher at the Orpheus Institute.

de Assis, Paulo
Paulo de Assis is artist researcher (pianist, composer, music philosopher) and research fellow at the Orpheus Institute.