de Assis / Giudici Machinic Assemblages of Desire

Deleuze and Artistic Research 3
Erscheinungsjahr 2021
ISBN: 978-94-6166-360-3
Verlag: Leuven University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 466 Seiten

More volumes on 'Deleuze and Artistic Research':

- Aberrant Nuptials
- The Dark Precursor (Two-Volume Set)

Exploring “assemblage theory” in relation to the arts and to artistic research
The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, “assemblage” is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept’s uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages.

Contributors: Gareth Abrahams, Burcu Baykan, Ian Buchanan, Edward Campbell, Iain Campbell, Rogério Luiz Costa, Annita Costa Malufe, Paul Dolan, Lilija Duobliene, Vanessa Farfán, Silvio Ferraz, José Gil, Barbara Glowczewski, Christoph Hubatschke, jan jagodzinski, Niall Dermot Kennedy, George E. Lewis, Hsiu-ju Stacy Lo, Clara Maïda, Thomas Nail, Tero Nauha, Alex Nowitz, Morgan O’Hara, Yota Passia, Peter Pál Pelbart, Panagiotis Roupas, Anne Sauvagnargues, Niamh Schmidtke, Chris Stover, Ron Wigglesworth, Audrone Žukauskaite

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Autoren/Hrsg.

de Assis, Paulo

Giudici, Paolo

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

Editors’ Preface

Introduction: Assemblage and Artistic Research Paulo de Assis

Cartographic Recording of Discourse: Mapping as an Emergent Rhizomatic Drawing Process Ron Wigglesworth

Part 1: Music
Guattari, Consistency, and Experimental Musical Assemblages Edward Campbell

Musical Interaction in the Tetravalence Chris Stover

Time Music between Lines and Images: Time In-between Silvio Ferraz

Abstract Cartographies and Assemblages of Minimal Sound Units: A “Body-Organon”? Clara Maïda

Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism Iain Campbell

“Is Our Machines Learning Yet?”: Machine Learning’s Challenge to Improvisation and the Aesthetic George E. Lewis

Assemblages of Multivocal and Schizophonic Practices: Unleashing the Machined Voice Alex Nowitz

Travelling with Peratape: Narrating Poetics of an Assemblage of Recording Guy Dubious

Machining the Bird Lilija Duobliene

Part 2: Art
The Dance José Gil

Kinaesthetics: From Assemblages to Fields of Circulation Thomas Nail

Ghastly Assemblages and Glittery Bodies without Organs in the Sculptures of David Altmejd Burcu Baykan

How to Dance with Robots Christoph Hubatschke

Machines with Organs: Model 5052 Vanessa Farfán

Recalcitrant Temporalities: Heterogeneous Time and the Simulated Image Paul Dolan

The Machinic Desire of Cinema Tero Nauha

Free Indirect Discourse and Assemblages: Literary Procedures in Deleuze and Guattari’s Style Annita Costa Malufe

The Intercessor or Heteronym in Gilles Deleuze and Fernando Pessoa Niall Kennedy

Part 3: Ecosophy
Assemblages, Black Holes, and Territories Ian Buchanan

Planetary Assemblages: From Organic to Inorganic and Beyond Audrone Žukauskaite

Ethology of Images as Machinic Assemblages Anne Sauvagnargues

The Transversality of Assemblages in Indigenous Australia and Alternative Environmental Struggles in France Barbara Glowczewski

Orquestra Errante: Improvising Assemblages Facing the Totalitarian Assemblage Rogério Luiz Moraes Costa

Subjectification, Desubjectification, Assemblages Peter Pál Pelbart

The Non-art of Tehching Hsieh: Art as Life/Life as Art jan jagodzinski

Decoding Surveillance Assemblages: How to Read Li Zi-Fong’s Lines and Hong Kong’s Eyes Hsiu-ju Stacy Lo

Addressing Problems of Our Capitalist Economies through Artistic Production Niamh Schmidtke

The Milieu and the Territorial Assemblage: Insights from Architecture Gareth Abrahams

Hecate: An Apparatus for Mapping Urban Complexity

Yota Passia and Panagiotis Roupas

Appendix: Live Transmission Morgan O’Hara

Appendix: Online Materials

Notes on Contributors

Index

Über Autor(innen)

de Assis, Paulo
Paulo de Assis is artist researcher (pianist, composer, music philosopher) and research fellow at the Orpheus Institute.

Giudici, Paolo
Paolo Giudici is an artist-researcher and associated researcher at the Orpheus Institute.