Devasundaram India’s New Independent Cinema

Rise of the Hybrid
Erscheinungsjahr 2016
ISBN: 978-1-317-29074-2
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 308 Seiten

Reihe: Routledge Advances in Film Studies

This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.

Autoren/Hrsg.

Devasundaram, Ashvin Immanuel

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften

Inhaltsverzeichnis

Introduction. Part 1 1. Bollywood and the Cinemas of India: The Story so Far 2. The Meta-Hegemony: Leviathan Bollywood and Lilliputian Indies 3. The Anatomy of the Indies 4. Avenues of Indie Funding, Distribution and Exhibition 5. Interstitial Indies Interrogating India’s Double Narrative 6. Running Along with Scissors: Censorship and Regulation Part 2: Case Studies 7. Rapping in Double Time: Gandu's Subversive Time of Liberation. 8. Dhobi Ghat: The Marginal in the Mumbai Mainstream 9. Peepli Live: Neoliberal Capital, Media ‘Knowledge’ and Political Power 10. All the World’s a Ship: Broken Binaries and Hyperlinked Heterotopias in Ship of Theseus 11. A Cinematic Quartet Conjuring Ghosts of Nation: Harud, Haider, The Lunchbox and I Am Conclusion: Charting the Ship’s Course

Über Autor(innen)

Ashvin Immanuel Devasundaram has a PhD from Heriot-Watt University, Edinburgh. He is currently Programming Adviser for the London Asian Film Festival (LAFF) and Creative Director of the festival's expansion to other cities in the UK.