Gerrits Cinematic Skepticism

Across Digital and Global Turns
1. Auflage 2019
ISBN: 978-1-4384-7665-0
Verlag: De Gruyter
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, 234 Seiten, Format (B × H): 152 mm x 229 mm

Drawing on the film-philosophies of Stanley Cavell and Gilles Deleuze, argues that skepticism is an ethical problem that pervades contemporary film.

Autoren/Hrsg.

Gerrits, Jeroen

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

List of Illustrations
Acknowledgments

Introduction: A “Still” New “Moving” Image of Skepticism?

1. Broken Links: A Cavello-Deleuzian Approach to Film

2. Renoir’s Key to Cinematic Skepticism

3. What Cinema Calls Believing, or: Deleuze beyond Skepticism?

4. A Seem-less Digital Skepticism in Grizzly Man and Amélie

5. Digital, Global, Ontological Turns

6. Reveiling the Gap in The Headless Woman and Three Monkeys

Conclusion: The Digital Will or a New Romanticism?

Notes
References
Index

Über Autor(innen)

Jeroen Gerrits is Assistant Professor of Comparative Literature at Binghamton University, State University of New York.