E-Book, Englisch, 112 Seiten
Reihe: NHB Modern Plays
Gregg Shibboleth
1. Auflage 2015
ISBN: 978-1-78001-663-4
Verlag: Nick Hern Books
Format: EPUB
Kopierschutz: 6 - ePub Watermark
E-Book, Englisch, 112 Seiten
Reihe: NHB Modern Plays
ISBN: 978-1-78001-663-4
Verlag: Nick Hern Books
Format: EPUB
Kopierschutz: 6 - ePub Watermark
Stacey Gregg is from Belfast and is a writer and performer for stage and screen. Her plays include Scorch ( Outburst Queer Arts Festival, Belfast, 2015 ; Edinburgh Fringe, 2016); Shibboleth ( Abbey Theatre, Dublin, 2015 ); Override ( Watford Palace Theatre, 2013 ); Lagan (Ovalhouse Theatre London, 2011); Perve ( Abbey Theatre, Dublin, 2011 ; BBC Radio Drama Award 2012) and When Cows Go Boom ( Abbey Theatre, Dublin 2008 ). She co-created an interactive web installation for CRASSH (Centre for Research in the Arts, Social Sciences and Humanities). Television work includes Raw (RTÉ), Spoof or Die (Channel Four) and The Frankenstein Chronicles (Rainmark). Author photo by Nina Sologubenko
Autoren/Hrsg.
Weitere Infos & Material
Prelude
Night.
An empty worksite. Foundations for an extension to a wall. We distantly hear the voice of the President of the United States of America.
[Full transcript found at http://iipdigital.usembassy.gov]
| OBAMA | ‘We need you to get this right. And what’s more, you set an example for those who seek a peace of their own. Because beyond these shores, right now, in scattered corners of the world, there are people living in the grip of conflict – ethnic conflict, religious conflict, tribal conflicts – and they know something better is out there. And they’re groping to find a way to discover how to move beyond the heavy hand of history, to put aside the violence. They’re studying what you’re doing. And they’re wondering, perhaps if Northern Ireland can achieve peace, we can, too. You’re their blueprint to follow. You’re their proof of what is possible – because hope is contagious. They’re watching to see what you do next.’ |
| OBAMA is interrupted by a noise. The WALL sings. |
| A deep, timeless hum. A magnificent voice of ages, polyglot, from the cosmos. |
| (Fading away.) ‘But the fact that so far we’ve only got a gate open and the wall is still up means there’s more work to do.’ |
| WALL | BUILD ME |
| BUILD ME |
| BUILD ME |
One
Early morning. Birds tweet.
The pace is rapid, the chaos that greets any morning in a busy household. Bits of uniform and lunch boxes circulate throughout.
ALAN dressed for the worksite, stands at the bottom of the stairs.
| ALAN | Son. |
| Darren. |
| Darren. |
| DARREN. |
| DARREN appears at the top of the stairs. |
| DARREN | Wha? |
| ALAN | Is yer ma not outta the bathroom yet? |
| DARREN | What’re ya buildin today Dad? |
| ALAN | Buildin a wall. |
| DARREN | What kinda wall? |
| ALAN | A Peace Wall. |
| DARREN | What’s a Peace Wall? |
| ALAN | It’s a big twelve-foot-high wall between Themens and Usens, to keep the peace. |
| DARREN | Does it? |
| ALAN | Keep the peace? I don’t know. |
| DARREN | How does it do it? |
| ALAN | It’s just a wall son |
| DARREN | How do ya build a wall? |
| ALAN | With bricks is yer mammy not out yet? Give her a shout there |
| DARREN | MAMMY DADDY WANTS THE TOILET. |
| RUBY | (Off, indignant.) Darren! |
| DARREN | Wha? |
| ALAN | Wha? |
| DARREN | Dunno. So why do ya have to build a Peace Wall again? |
| ALAN | Cos once upon a time there was a war and Themens and Usens couldn’t get on, so they built these walls to keep Usens safe. |
| DARREN | Is there still a war? |
| ALAN | No son, been peace for twenty-odd years, twice your lifetime. |
| DARREN | That’s class. |
| ALAN | Give yer ma another shout there I’m bustin |
| DARREN | So if there’s no war why’re youse buildin the wall? |
| ALA | Give her a shout |
| DARREN | What’s a Peace Wall do when there’s no war? |
| ALAN | I dunno, suppose people like the idea of them. They paint them up dead nice, with murals about all the peace we’re havin. They bring the tourists in. |
| DARREN | How many Peace Walls are there? |
| ALAN | Think there’s about eighty maybe |
| DARREN | How many is eighty? |
| ALAN | Eighty is – ehm – ahm – go you and get on ya. |
| DARREN scampers off. |
| Simultaneously, in another household: the following might be performed in Polish with English surtitles. AGNIESZKA may mix English and Polish. |
| YURI drinks coffee, dressed for the site, doing a crossword. AGNIESZKA breezes in, dressed in a supermarket tabard. |
| YURI | ‘Derry. A shibboleth. Used to mark one group from another – six across.’ |
| AGNIESZKA | I have to go. |
| YURI | Ends in ‘N’. |
| AGNIESZKA faffs about, grabbing things for lunch. |
| Maybe it’s not an ‘N’. Maybe it’s a ‘U’. I use pencil. |
| ‘London!’ |
| AGNIESZKA | What? |
| YURI | Derry/Londonderry! |
| AGNIESZKA | Right. |
| YURI | You’re a ray of sunshine in the morning Agnieszka. Sometimes, when I hear the birds sing, I wake up, I think: I cannot wait to be sitting here radiating joy from our morning chats. |
| AGNIESZKA | I have two groups after work Dad, my brain’s exploding. |
| AGNIESZKA scrutinises a paper. |
| YURI | What a misery. Are you hungover? |
| AGNIESZKA | Give me your pencil. |
| YURI | I love listening to your English. |
| Your confident grasp of ‘shithead’ and ‘ballroot’. |
| He passes her his pencil. |
| I don’t like you teaching these late classes. Walking home. This area. It isn’t… |
| AGNIESZKA | Why’re we here then? |
| YURI | Cheapest housing. |
| ALAN lets MO in. |
| ALAN | Alright Mo? |
| MO | Standin there ma balls pickled off me |
| Toilet flushes and door opens upstairs. RUBY appears at the top of the stairs holding washing. |
| RUBY | Alan I’ll wrap that clothes horse round your skull – gettin him shoutin my business – Hello Mo. |
| MO | Alright Ruby? |
| RUBY | Wanna KitKat? |
| MO | Nah. |
| ALAN | One sec here till I do a slash – |
| ALAN races up past RUBY to use the bathroom. |
| RUBY descends. |
| RUBY | Darren you better be ready for school in five, four, three, two – |
| DARREN appears at the top of the stairs in a pair of kitten heels. |
| RUBY hasn’t seen him, still descending the stairs. MO stares at... |




