Imre East European Cinemas

Erscheinungsjahr 2016
ISBN: 978-1-135-87264-9
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 288 Seiten

Reihe: AFI Film Readers

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Autoren/Hrsg.

Imre, Anikó

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie

Inhaltsverzeichnis

Anikó Imre, "Introduction: East European Cinemas in New Perspectives"

PART 1: Gender Identity and Representation

1. Katarzyna Marciniak, "Second Worldness and Transnational Feminist Practices: Agnieszka Holland's A Woman Alone"
2. Marguerite Waller, "What's in Your Head: 'History' and 'Nation' in Ibolya Fekete's Bolse vita and Ghetto Art's Making the Walls Come Down"
3. Tomislav Z. Longinovic, "Playing the Western Eye: Balkan Masculinity and Post-Yugoslav-War Cinema"
4. El?bieta H. Oleksy, "The Politics of Representing Gender in Post-World War II Polish Cinema and Visual Art"
5. Petra Hanáková, "Voices from Another World: Feminine Space and Masculine Intrusion in Sedmikrásky and Vrazda ing. Certa."

PART 2: (Post)modernist Continuities

6. Melinda Szaloky, "Somewhere in Europe: Exile and Orphanage in Post-World War II Hungarian Cinema"
7. Dusan Bjelic, "Global Aesthetics and the Serbian Cinema of the 1990s"
8. Catherine Portuges, "Traumatic Memory, Jewish Identity: Remapping the Past in Hungarian Cinema"
9. Peter Hames, "The Ironies of History: The Czech Experience"
10. András Bálint Kovács, "Gábor Bódy: Precursor of the Digital Age"
11. Ágnes Pethö, "Chaos, Intermediality, Allegory: The Cinema of Mircea Daneliuc"

PART 3: Regional Visions

12. KrissRavetto-Biagioli, "Reframing Europe's Double Border"
13. Roumiana Deltcheva, "Reliving the Past in Recent East European Cinemas"
14. Christina Stojanova, "Fragmented Discourses: Young Cinema from Central and Eastern Europe"
15. Dina Iordanova, "The Cinema of Eastern Europe: Strained Loyalties, Elusive Clusters"

Über Autor(innen)

Anikó Imre is research associate at the Amsterdam School of Cultural Analysis.