Jones Installation Art and the Practices of Archivalism

Erscheinungsjahr 2016
ISBN: 978-1-317-67907-3
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 210 Seiten

Reihe: Routledge Advances in Art and Visual Studies

On the leading edge of trauma and archival studies, this timely book engages with the recent growth in visual projects that respond to the archive, focusing in particular on installation art. It traces a line of argument from practitioners who explicitly depict the archive (Samuel Beckett, Christian Boltanski, Art & Language, Walid Raad) to those whose materials and practices are archival (Miroslaw Balka, Jean-Luc Godard, Silvia Kolbowski, Boltanski, Atom Egoyan). Jones considers in particular the widespread nostalgia for ‘archival’ media such as analogue photographs and film. He analyses the innovative strategies by which such artefacts are incorporated, examining five distinct types of archival practice: the intermedial, testimonial, personal, relational and monumentalist.

Autoren/Hrsg.

Jones, David Houston

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Bildhauerei, Plastik, Denkmäler
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie

Inhaltsverzeichnis

Introduction 1. The Beckett Effect: the Intermedial Archive 2. The Archival Testimonial: Miroslaw Balka’s How It Is 3. The Relational Archive: Silvia Kolbowski and Eija-Liisa Ahtila 4. The Personal Archive: from Christian Boltanski to Lifelogging 5. The Archive and the Informational Sublime: Arnold Dreyblatt. Conclusion.

Über Autor(innen)

David Houston Jones is Associate Professor of French Literature and Visual Culture at the University of Exeter, UK