The Financial Image

Finance, Philosophy and Contemporary Film
1. Auflage 2024
ISBN: 978-3-031-40653-9
Verlag: Springer International Publishing

Buch, Englisch, 329 Seiten, HC runder Rücken kaschiert, Format (B × H): 153 mm x 216 mm, Gewicht: 558 g

Reihe: Palgrave Studies in Literature, Culture and Economics

The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life.

Zielgruppe

Research

Autoren/Hrsg.

King, Alasdair

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Wirtschaftsgeschichte
• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
• Wirtschaftswissenschaften Wirtschaftswissenschaften Wirtschaftsgeschichte

Inhaltsverzeichnis

1. Introduction.- 2. The Financial Gaze.- 3. Film and Financial Ethics.- 4. Film and Financial Time.- 5. Film and 6. Financial Space.- 7. Film and Financial Performance.- 8. Conclusion.

Über Autor(innen)

Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007).