Automatic Artistry

Negotiating Musical Creativity in a Technological Age
1. Auflage 2026
ISBN: 978-0-520-40577-6
Verlag: University of California Press

Buch, Englisch, Band 8, 250 Seiten, Trade Paperback, Format (B × H): 152 mm x 229 mm, Gewicht: 412 g

Reihe: California Studies in Music, Sound, and Media

Musicians have access to an ever-growing array of technological tools, creating a world rich with new artistic possibilities. Yet the incursion of automation technology into creative pursuits has long sparked panic about the threat to human creativity and authenticity. Relating a 120-year history of automation in music, this book provides a timely historical demonstration of how older technologies of automation gave rise to initial unease, which was then followed by integration and exploration of their generative potentials. Journeying from the player piano at the turn of the twentieth century, through the introduction of drum machines and synthesizers, to the holographic pop stars of the twenty-first century, Alyssa Michaud shows how musical subcultures have shifted the parameters of debate around the meaning of automation and creativity. In riveting prose, Automatic Artistry directly addresses the choices we now face as we adapt to the newest wave of automated musical tools.

Autoren/Hrsg.

Michaud, Alyssa

Fachgebiete

• Technische Wissenschaften Sonstige Technologien | Angewandte Technik Akustik, Tontechnik
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

Contents

Acknowledgments

Introduction
1. The Player Piano: From Domestic Machine to Musical Instrument
2. The Reproducing Piano: Capturing and Recreating “Living Presence”
3. Synthesizers: Techno-Pop and Mechanization as Aesthetic
4. Drum Machines: Synthesis, Sampling, and the Cultural Construction of Authentic Sound
5. Singing Synthesis: Amateur Collaboration in Vocaloid's Creative Community
6. Holographic Performance: Automation and Participatory Fandom
Conclusion

Notes
Bibliography
Index

Über Autor(innen)

Alyssa Michaud is Associate Professor of Music at Ambrose University.